Research On The Relationship Between Audience And Actor Of Three-Dimensional Stereoscopic Virtual Reality Based On ’Hyper-Reality’ Theory

In the information age,Internet thinking is constantly changing people’s perception of the world,and it also affects people’s artistic conception and innovative thinking.The interdependence of technology and art is the most typical presentation.In traditional performances,the script is the premise of the performance.How to tell the story well and interpret the characters well often determines the success of the performance.Nowadays,in the past,some people performed in the theater and others watched the traditional relationship between audience and actor.More and more,there is more spiritual exchange and multidimensional interaction between the two,building a harmonious and healthy relationship between audience and actor,and creating a clear atmosphere.The positive theater atmosphere has become a subject that needs to be seriously considered and answered in the performing arts of the new era.As the soul of performance,the relationship between audience and actor has always been an important frontier research topic and practice topic in the field of performing arts.Previous dissertations have mainly focused on the relationship between audience and actor in traditional performance forms.This dissertation aims to explore the relationship between audience and actor in the rapidly increasing number of VR images under the background of 5G,guided by the’hyper-reality’ theory proposed by Jean Baudrillard.This dissertation is mainly guided by literature theory,using the VR test experimental videos shot by the researcher in the early stage and many VR films cases in the market as the basic medium,combined with the characteristics of the relationship between audience and actor in the traditional performance forms that the researcher had participated in,a more comprehensive comparative analysis is carried out.The dissertation is closely related to the three major elements of space,actors,and audience in the relationship between audience and actor.On the basis of elaborating and analyzing the core positions of the three,a three-dimensional stereoscopic VR script game themed micro-movie to carry out practical research.And based on practical experience,previous case analysis and literature collection,the dissertation concluded that the three-dimensional stereoscopic VR image space itself is the embodiment of Jean Baudrillard’s ’hyper-reality’ theory;It is necessary to combine the characteristics of traditional theatrical stage performances and film and television performances,and at the same time,it is significant to maintain a suitable performance distance from the audience and design and arrange the corresponding performance scheduling;the audience will take the place of the ’performer’ and experience the three-dimensional stereoscopic VR space.The ’hyper-reality’ experience brought by it;the ’audience’and ’actor’ in it have reached a state of fusion to a certain extent.