A Study On Underglaze Multicolored Flower-and-bird Ceramics From Liling Of Late Qing Dynasty And Republic Of China Period Ceramic Sculptures

In the late Qing dynasty and the Republic of China,the Hunan Porcelain Academy created and burned Liling Liling underglaze multicolored porcelain The influence of Jingdezhen craftsman and Japanese craftsman on Liling underglaze flower-and-bird porcelain was analyzed by the craftsman and teacher of Hunan Porcelain Company and Hunan Porcelain Academy.In this paper,the flower-and-bird pattern images of Liling underglaze colored porcelain are arranged and analyzed.Based on the divergent research of the flower and bird pattern images,the analyzers are usually practical and aesthetically elegant.The shape is an extension of the flower-and-bird shape,which has a unique style under the vision of the late Qing dynasty and the Republic of China.The flower theme and the bird theme often have the fixed collocation,the drawing way also has its unique;At the same time,the painting techniques of Liling underglaze multicolored porcelain in the late Qing dynasty and the Republic of China were investigated,and the color standard of underglaze multicolored porcelain was defined,and the main composition was analyzed.By analyzing the reasons for the formation of painting style from the perspective of Ruling class aesthetic factors,and from the perspective of leisure and interest,this paper analyzes the reasons for the peak of Liling colorful porcelain with flower-and-bird theme under the glaze in the late Qing dynasty and the Republic of China,it can help people to understand more clearly the preference of the designers of flower and bird patterns on Liling underglaze porcelain in the late Qing dynasty and the orientation of the audience.