| During the Kangyongqian period of the Qing Dynasty,the porcelain industry reached its peak.The development and maturity of colored porcelain technology laid the foundation for the presentation of figure paintings on porcelain.The images of ceramic ladies not only reflect the social style of the era,but also reflect the physical materials of social aesthetic changes.During the Kang,Yong,and Qian dynasties,various themes and decorative techniques of the images of beautiful women shone brilliantly on ceramics,and formed unique styles of "elegant collection of beautiful women" porcelain and "entertainment pictures of beautiful women" porcelain.This article is based on the ceramic painting images of the theme of "elegant collection of ladies and entertainment" in the Kang Yongqian period,and combined with the social,economic,political,ideological,cultural and other factors at that time,to analyze the reasons and development of the prevalence of the theme of "elegant collection of ladies and entertainment" in the Kang Yongqian period.Through the comparative study and case analysis of the images of beautiful women in the art works of related subjects,this paper explores the changing rules of the scene layout,element analysis and character arrangement of the pictures of beautiful women and entertainment scenes in different times,and then obtains the laws of the changes of the status,position,activity space and emotion of women in the album of the Qing Dynasty,and some of the images of entertainment scenes may originate from folk festivals and have the characteristics of combining movement and static.At the same time,the aesthetic ideal of the times and the idea of women’s progress conveyed by the images of "elegant collection and entertainment" in Kang Yongqian’s period had a certain impact on the creation of female porcelain in the period of the Republic of China,and promoted the prevalence of female export porcelain in the 17 th and 18 th centuries. |
