A feature film is the most intuitive and effective way to analyze a person,an event or even a field.Since 1958,Chinese feature films had a difficult start,and it was not until the reform and opening up that they gradually entered the prosperous period.However,the current phenomenon of pan-entertainment is undoubtedly a huge challenge for feature films.With the rise of the short video era,people are addicted to this phenomenon of consumptive entertainment,which is a great impact on special films with news,cultural value and delicate emotion.This dissertation gives a profound analysis of the anti-cancer film " Living Like a Summer Flower" from the aspects of the director’s exposition and creation process,and introduces the film from the aspects of sound and painting,narrative structure,emotional experience and post-production.At the same time,it triggers people’s profound thinking about cancer and the light of humanity.The work "Living like Summer Flower" takes the real experience of lymphatic cancer patient Duan Muzi as the shooting content.This film records her tortuous experience of treatment and study.She used her own experience to tell the audience that strong will and selfless love can overcome the disease and create miracles.The camera is used to express the true feelings of the creator and the interviewees,and the soulful background music is used to give the audience a triple impact on the mind,vision and hearing.The narration sublimates the plot of the event,and finally presents the sensitive and full feature film to the audience.Through this film,we try to arouse more people’ s attention to life and health and care for the special group of cancer patients.Out of the depression and tension of previous cancer films,this film focuses on the glimmers of hope and kindness that emerge from the ups and downs of the plot.While lamenting the protagonist’ s unhappy life but optimistic and resolute,the audience is unconsciously infected by her good thoughts,forming an invisible force. |