A Study On The Image Writing Of Oral History Documentaries From The Perspective Of Collective Memor

The performance of collective memory in memory construction is instrumental and selective.In the process of practice,documentary creators guide the memory of the narrator and use it as a clue to integrate collective memories that are in line with contemporary values and can be shared and communicated.At the same time,oral historical documentaries construct a communication medium with historical memory,amplifying individual narratives in ethnic narratives,surpassing the scope of macro narratives in ordinary historical documentaries.Based on the above understanding and purpose,the article mainly uses text analysis,case analysis,and interview research methods to organically combine the theory of collective memory with oral historical documentaries.The research object is oral historical documentaries from the perspective of collective memory,and the internal image writing and narrative strategies are analyzed.In terms of structure,the introduction section of the entire text sorts out four aspects: the reason for the topic selection,research status,research methods,and research innovation.The main text is divided into five chapters for discussion.The first chapter mainly elaborates on the relevant concepts of oral historical documentaries and collective memory,as well as the advantages of their combination.In Chapter 2,by analyzing the memory components of collective memory in oral historical documentaries,the internal relationship between the two is clarified,and the performance characteristics of collective memory are grasped from four aspects:the selection of narrators,the excavation of personal memory,the grasp of language content,and the restoration of historical situations in oral historical documentaries,in order to guide the writing of images.The third chapter focuses on analyzing the narrative strategies of oral historical documentaries from the perspective of collective memory from three aspects: narrative structure,narrative perspective,and narrative rhythm.Chapter 4 is a study on the writing methods of oral historical documentary images from the perspective of collective memory,and elaborates on them from the perspective of audio-visual language through relevant cases and graduation works.The final chapter is a study on the image value of oral historical documentaries from the perspective of collective memory,including the value of individual memory and the promotion of national spirit.Overall,the article is based on oral historical documentaries.Under the guidance of collective memory theory,it disassembles and analyzes some representative oral historical documentary works,and applies the theory to the practical process of graduation work "The Glorious Years".It summarizes the general creative process and narrative strategies of oral historical documentaries in image writing from the perspective of collective memory,In order to enable the audience to listen to the stories of their predecessors and convey their valuable spiritual qualities through the use of images.