A Study On The Image Of Miao Women In Southeast Guizhou In Fine-brush Figure Painting

The Miao costumes are gorgeous and elegant.Their bold use of color and exaggerated depiction of patterns are unforgettable.They are worn on festivals and important ceremonial occasions in life.This display promotes the development of the aesthetic characteristics of Miao costumes.As an angle and a form of Miao’s art form,the dress of Miao women in southeast Guizhou has built up a unique spiritual civilization of the Miao ethnic group,which can reflect the difficult and special historical background of the Miao ethnic group from behind.It is this classic ethnic image that makes many excellent painters draw many wonderful works around this theme.Papers introducing Miao costumes are not uncommon,but the creative angle of the dress image of Miao women in Qiandongnan in meticulous figure painting lacks effective and in-depth theoretical research.This article attempts to analyze the painting works of artists of the same theme in local and other provinces and regions in China from the perspective of art creation,combining the images of Miao women in dress in Qiandongnan in meticulous figure painting,to summarize the characteristics of the related propositional creation.This can provide creative ideas for the art creation of ethnic minorities,and summarize the unique image connotation of Miao ethnic group.Through theoretical exploration,it can be transformed into the source of inspiration for creation,and finally implemented into my meticulous figure painting creation.Through the exploration of form,the expansion of connotation,and the innovation of techniques,it can confirm the aesthetic character of the dress image of Miao women in southeast Guizhou.Miao women’s dress is the material carrier of the culture of Miao ethnic group,reflecting the integration and collision of broadness and beauty.It can record the history of Miao and the spread of the culture of Miao ethnic group.The symbols engraved on the dress of Miao women can reflect many meanings behind,such as the ethnic origin of Miao,the past migration history,the war experienced,the original beliefs,myths and legends.The thesis aims at the image of Miao women in dress in southeast Guizhou,compares the difference between dress and casual dress of Miao women in southeast Guizhou,and summarizes its dress culture:elegant dress and hairstyle,complex and gorgeous silver ornaments,etc;From the perspective of aesthetic consciousness,this paper analyzes the relationship between Miao women’s dress and relevant festival customs.Secondly,in the system of fine brushwork figure painting of ethnic minorities,the fine brushwork figure painting of Miao women’s dress plays an important role.Through the analysis of relevant classic works:Liu Jingui’s "This song should only exist in the sky";Liu Quanyi’s "Full of Trees and Flowers";Ren Chengwu’s "Miao Women Series" and "Miao Sisters";Ran Maolie’s WeChat Era and Festival·Greetings;Jiang Caiping’s "Dressed Miao Girl" and other clothing modeling,technique modeling and spiritual integrity portrayal,explore the commonness of meticulous figure painting of Miao women’s dress subject in line with the aesthetic characteristics of the times,and look forward to various possibilities for the development of ethnic art.Finally,it explores the corresponding relationship between the aesthetic characteristics of Miao women’s dress and the creative performance of meticulous painting in Qiandongnan.Because meticulous figure painting can also contain multiple means and comprehensive materials when it is in shape and color,the author himself shows my personal understanding of this subject at the visual aesthetic level through the conception and sublimation of the creation theme,as well as the deep values of exploring and excavating the dress image of Miao women in southeast Guizhou.