Analysis Of The Performance Of Ethnic Minority Costumes In The Brushwork Figure

Dress shows the national minorities' spirit. It is not only to national dignity and pride, but also a nation of cultural connotation. Costumes of the ethnic minorities as a necessity of daily life, giving people the cold warmth also gradually integrated into the religious beliefs and totem worship, social status and identity of class and a series of cultural and aesthetic aspects of the functions, thereby demonstrate national The inherent creativity, and unique artistic way to a man and nature on a harmonious relationship. Through in-depth investigations and studies in ethnic minority areas of practice, I am deeply minority costumes implied values of the paintings are yet to be excavated and use for reference. In this paper, a brief description of China's ethnic minority costumes shape, color, design patterns, silverware on the various elements in harmony with clothing, to use the specific elements in the minority themes Meticulous figure painting, and summed up the creation of individual national costumes Performance by way of painting and feasibility of the proposal.My painting has several thousand years of history and cultural connotation of accumulation, and Fine Brushwork painting as a unique kind of a tradition thousands of years of previous experience, has been the development of increasingly mature. But with the advent of the information age, mass psychological changes, in memory of the development of innovative Fine Brushwork figure painting in particular, the performance must be a new attitude displayed boundless vitality, perpetuating the glory side In today's Fine Brushwork sector, its themes of the novel idea of a unique, sophisticated production, style and diverse, tools and materials of the new development has greatly enriched the performance of the painting, pioneering a new style of the Fine Brushwork. It can be seen from the traditional sense of norms in the degradation of its overall development with more freedom of the performance space. At the same time style theme, creative ideas, with the performance of traditional means and modern communication to us and made the test. Stylized treatment, the tendency of decoration, a special fabric production, new materials, new techniques, learn from Western art forms, and so on, although in the contemporary painting showing a scene of prosperity, but it highlighted some of the impetuous style works.This shows that contemporary Chinese Fine Brushwork into the future, it should be in the national spirit and tradition of blood under the premise of complete transition from traditional to modern transition, with the broad artistic vision, its own development should be the modern day Korean painting, Western painting and other artistic expressions to maintain a friendly distance, neither "used" or "impatient " to maintain the purity of their own development, to avoid the loss of their own artistic language. In short, only through broad and profound national culture of research and study, the traditional qualities of succession, under the premise of the minority folk arts and culture and folk arts and culture "comes essence, abandoning its dross" absorb and learn from excellent culture and traditions, Contemporary Fine Brushwork enrich and improve the development of painting in particular figures, figure painting Meticulous to the performance of more times, the national character and maintain the purification of the stick in the development, in the course of opening up and absorb.