| Chinese contemporary lacquer painting was founded in the 1930 s.Although it has developed for less than a hundred years,it has made remarkable achievements.However,under its fame,the team still has a lack of integrity in its cognition of the artistic language of lacquer painting,that is,the cognition of lacquer painting itself,related objects and creative subjects is still in the primary stage.Based on this situation,this paper aims to clarify the language dimensions of contemporary lacquer painting,and aims to explore the value connotation of constructive significance in each language dimension.The article starts with tracing the origin of contemporary Chinese lacquer painting,and analyzes the relevant factors that affect its development and evolution,including the development and evolution of lacquer painting itself,as well as the related object and subject factors.From this,three dimensions of "noumenon language","object context" and "subject language sense" are summarized,and then the three dimensions are discussed in chapters.This paper mainly analyzes the general painting and special painting characteristics of lacquer painting,emphasizing that only when lacquer painting is compatible with general painting language and special painting language,can it have both "painting interest" and "painting flavor".At the same time,lacquer painters should not only pay attention to the construction of lacquer painting itself,but also give consideration to the effective integration with the object context,and pay more attention to the in-depth cultivation of their own artistic language sense,so as to demonstrate the importance of the comprehensive construction of the three language dimensions of ontology,object and subject for lacquer painting creation. |
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