Research On The Relationship Between Chinese Oil Painting Creation And Literature In The 1980s

Under the influence of western modernism,both literature and oil painting have adopted their own unique expression methods.As independent art forms,literature and oil painting share common fields,such as metaphors and symbols.Metaphorical and symbolic painting can,through the form of literary works and with the help of the main content of the depiction,directly or indirectly describe the natural scenery in depth,and to a certain extent,produce a role beyond metaphor and symbol,produce poetry for painting and literary management,and the implication of painting and literature comes from the metaphor and symbolic techniques of painting.In the 1980 s,with the reform and opening up,China ushered in a new exploration of oil painting creation.The oil painters in this era,with the spirit of literary practice and internalization,created the modern and contemporary Chinese aesthetic cultivation and promoted the diversified development of Chinese oil painting.Oil painters obtain rich ideological and cultural resources from literary language,form a macro artistic vision,enhance the ideological and cultural content of the form aesthetic,just as the poetry and prose of traditional Chinese painting and calligraphy,which participate in the creation of painting,form the image containing literature and local characteristics.Oil painters in the 1980 s,through the visual metaphor of color,composition,light and other elements,conveyed the unique picture symbolizing "scar" art in the 1980 s,reflecting the literary and philosophical thinking in the side.Oil painting in the new era pays more attention to the connection between metaphor and symbol.Under the contemporary art trend,oil painting and literature still penetrate and influence each other,making great contributions to the development of human civilization.Therefore,it is of great value and significance to analyze the relationship between oil painting creation and literature.Based on this point,viewers can intuitively feel the oil painting language,such as the proportion of objects,color,light and other perspectives,and dive into the anatomy of the relationship between Chinese oil painting creation and literature expression layout,color,metaphor,symbol and intention.In the direction of personal creation also close to this direction.