Exploration And Practice Of Decorative Art Language Of Shanghai Jinshan Peasant Landscape Painting

Jinshan peasant painting was conceived in the late 1970 s and occupies an extremely important position in China’s traditional culture.The creators of Jinshan peasant painting "transplanted" many traditional folk arts,such as paper cutting,clay sculpture,embroidery,blue printed cloth and other different forms of folk art expression into their own creation.This transplanted creative method created a new style of peasant painting,It reflects the creator’s cognition of Chinese traditional culture and the aesthetic interest of the people,and interacts with the "root seeking fever" rising in the literary and artistic circles in the 1980 s,which has deeply affected the artistic trend of peasant painting in China.Jinshan peasant painting has also become an important representative of Chinese folk art and set off an upsurge of peasant painting across the country.As a part of Jinshan peasant painting,Jinshan peasant landscape painting is also rich in profound traditional cultural heritage.It is organically combined with modern aesthetic concepts in the development process,and has the artistic characteristics of planarization and decoration.It has certain guiding and reference significance for the development of contemporary decorative painting with rural scenery as the theme.This paper mainly analyzes the artistic characteristics of peasant landscape painting in Jinshan,discusses the author’s learning and reference of its decorative art language,and finally carries out the creation of decorative painting based on the rural landscape of Fubao ancient town on the basis of modern and contemporary art ideas,so as to gradually form a personal artistic style in continuous exploration,Create art works that are more in line with the contemporary aesthetic connotation and depict the ideal rural image in the author’s mind.This paper will mainly focus on the following contents:The first chapter is the introduction.The author briefly describes the research background and significance,research status,research contents and methods.The second chapter mainly describes the formation and development of Jinshan peasant painting and the embodiment and value significance of landscape theme in Jinshan peasant painting.The third chapter is the key chapter of this paper,which mainly analyzes the decorative art language of Jinshan peasant landscape painting,expounds its aesthetic characteristics from the aspects of composition,modeling,color and aesthetic thought,and analyzes its tradition and modernity.The fourth chapter mainly discusses my absorption and reference of Jinshan peasant landscape painting decorative art language.On this basis,it combines some artistic ideas of Fauvism and Vladimir landscape painting school,brings two changes of personal artistic style in the creative exploration,and analyzes the creative process and innovation of my series of decorative paintings.The fifth chapter is the conclusion,which summarizes this paper.The author hopes to explore the decorative art language of Jinshan peasant landscape painting,combined with the aesthetic appeal of the new era,and create decorative paintings with rural landscape theme in line with the contemporary spiritual connotation.