The Influence Of Northern Landscape Painting Faction Language On Individual Creation

The language of landscape painting is the artistic expression and personalized symbols of the artist’s distinctive style,which has developed in the process of exploration.The language of the northern landscape painting faction,as a representative of the majestic and majestic,not only continues the trend of landscape innovation since the early Tang Dynasty,but also has the inheritance of the humanistic spirit in a specific era,revealing its unique grand concept.In the process of inheritance and development,the language of the northern landscape painting faction was influenced by the contemporary context of collision and integration of Chinese and foreign aesthetic concepts,and the painters had more ideas and insights into the theory and practice of the language of the northern landscape faction,so that the language of the northern landscape faction was adapted to the soil of modern painting and continued to be inherited and developed.The painter forms his own unique painting language,and his creative consciousness and painting practice need to think of answers from the traditional painting language.The analysis of the influence of the language of the Northern landscape painting faction on individual creation is mainly based on the consistency under the aesthetic consciousness and creative practice,as well as the expressiveness of the aesthetic demand under the spirit of the times.Firstly,the nature of the language of the Northern landscape painting faction is examined,using life experience and social style orientation as a theoretical cognitive system,i.e.the inner mechanism of its language influences the painter’s aesthetic consciousness and creative practice.Then,around the high contextual cultural level of contemporary Chinese characteristics,we consider the anchor point of personal creative development that is compatible with the Northern landscape painting faction and examine the factors that influence the language of the Northern landscape painting faction in contemporary painting creation.Finally,the paintings are used as a reference to further understand the influence on individual paintings in the language of the Northern landscape faction.Through collection and argument,firstly,based on aesthetic consciousness and creative practice,a framework is constructed in which form and language formed in aesthetic consciousness are directly related,and form and language formed in creative practice are indirectly related,summarizing the arguments for the consistency of the concepts of aesthetic consciousness and creative practice in the language of the Northern landscape faction of painting.Secondly,the thick and majestic language used by the Northern landscape painting faction to explore the essence and laws of the landscape shows that the painting under the spiritual outlook of a specific era has a corresponding individual language principle.Finally,from the perspective of individual works,the paintings expressed by the painters in combination with their own aesthetic consciousness and creative practice are closely related to the language of the Northern landscape faction.