Exploring The Common Expressiveness And Interpretation Of Musical Performance Of Three Versions Of "Barcarolle" From The Perspective Of Artistic Deviation

Frederic Chopin(F.F.Chopin,1810-1849)was an important composer in the Romantic period.The Barcarolle studied in this paper uses the genre of "barcarolle" from Italy,which is highly romantic and is also an important large-scale work in Chopin’s late period.The author selected the recordings of three representative Chopin pianists,Zimmerman,Fu Cong and Rubinstein,combined with the data analysis of music production software,and summarized the common expressive force of barcarolle performance from the Angle of "artistic deviation",so as to provide the performer with the performance help.And the "Barcarolle" when playing need to pay attention to explain and analyze.This paper consists of four chapters.The first chapter is the introduction,which expounds the background and significance of the topic as well as the relevant researches at home and abroad.The second chapter is the interpretation of the expressive force of music performance,especially the interpretation of the "common expressive force" in this text.The third chapter is to explore the three performers’ "common expressive force".The fourth chapter is the analysis of the performance interpretation of the works.Through a detailed analysis of "Barcarolle",this paper aims to explore the commonalities of authoritative performers and the key points of the performance of the work,so as to provide some references and help for the subsequent study of this work.