Analysis Of The Singing Of Dvorak's Opera Aria "Ode To The Moon

"Song to the moon" is the famous soprano aria from the opera "Rusalka" composed by the musical giant Dvorak.This paper focuses on the analysis of the singing of "Song to the moon" from the perspective of three dimensions: historical background,linguistic analysis and singing analysis,respectively.The author has consulted a large number of theoretical monographs through data platforms such as Zhiwang and Vipul,and found that the information that can be found in China on singing Czech songs is relatively limited,and they mainly start from emotional performance and singing style,lacking singing studies from the perspective of Czech.Since "Song to the moon" is the opera work that the author sang in her graduation concert,she summarizes and concludes it through literature research and stage practice in order to provide corresponding research insights and values for those who learn to sing songs about the Czech language.The first part of the paper is divided into three parts: the first part of the paper compares the historical and creative background of Dvorak and his opera "Rusalka" and draws conclusions about Dvorak’s life experience and creative characteristics,and concludes that the special historical background had a great influence on Dvorak’s creative style;the second part of the paper focuses on the development of the Czech language and the key points of pronunciation.In the third part,we analyze the aria "Song to the moon" from three aspects: characterization,use of Czech language and singing experience,and consider that a good grasp of characterization and the correct grasp of Czech pronunciation rules are the keys to a good performance of the aria "Song to the moon".