Exploring The Characteristic Sounds And Playing Techniques Of The Qin-style Erhu Piece "Mihu Diao

The development of the Qin style erhu has become an indispensable genre in erhu style local music to this day.Since the latter half of the 20 th century,the Qin style erhu has officially become an erhu genre,and there have been a number of enduring works.Mr.Lu Rirong’s "Misty Tone" is one of his representative classic works.Exploring the development of the Qin style erhu,the characteristic sounds appearing in the repertoire,and special techniques are essential compulsory courses for all performers when playing "Confused Tune" or other Qin style erhu repertoire.This article focuses on the classic erhu solo of the Qin school,"Confused Diao".The preface introduces the origin and development of the erhu of the Qin school through simple language,and provides a research review of relevant literature references for this piece.The first chapter discusses the basic framework of the work "Ambiguous Tone" from the aspects of the author’s introduction,creative background,and work structure.The second chapter discusses the scale of the work of ’Blurred Tone’ and introduces bitter and third inter tones.Chapter 3 explores how to master the performance of characteristic notes in the repertoire from a practical perspective by discussing the characteristic notes and performance techniques(such as cuddling and sliding)that appear in the repertoire...