Research On Guizhou Literary Magazine The Flowers Of Mountain(1950 To 1964)

In the 1950s,with the gradual liberation of Guizhou,Guizhou contemporary literature and art also gained the opportunity to grow.As a representative literary journal in southwest China,Guizhou Literature(the predecessor of The Flowers Of Mountain),as an experienced and eyewitness,participated in the development and change of Guizhou literature in the whole process,and played an important role in the development of contemporary literature in southwest China.This paper chooses The Flowers Of Mountain from 1950 to 1964 as the research object.By studying the development process,editing and reading interaction,and published literary works of The Flowers Of Mountain,this paper studies the overall appearance and publication characteristics of The Flowers Of Mountain at this stage,so as to observe the historical position of Guizhou contemporary literature in Chinese contemporary literature,which can fill the research gap of Guizhou The Flowers Of Mountain.The main content of this paper consists of four chapters.The first chapter is The Flowers Of Mountain magazine in Guizhou’s seventeen year literature.This chapter starts with the mutual verification of literary history and contemporary Chinese history,trying to restore the changes from Guizhou Literature to The Flowers Of Mountain,and clarify the historical original appearance of this top popular literary and artistic journal in Guizhou from its inception to renaming and then to its closure;Secondly,it clarifies the image and mode of Guizhou Literature and The Flowers Of Mountain through the previous publishing words and the changes of the terms of reference in more than ten years;Finally,based on the principle of the relationship between the literary policy of the seventeen years and the discipline of The Flowers Of Mountain,this paper studies the line of workers,peasants and soldiers in the implementation of the Yan’an line of workers,peasants and soldiers literature between Guizhou Literature and The Flowers Of Mountain,and proves the cultural character of Guizhou Literature and The Flowers Of Mountain through rich and diversified column settings.The second chapter is about the elements of The Flowers Of Mountain: editors,readers and authors.The research object of this chapter is the literary production mechanism of Guizhou Literature and The Flowers Of Mountain in the system of editing,reading and writing.First of all,by taking the appearance of the editor as the starting point,the author deconstructs the function of the editor,which seems to have the absolute ruling power,in the actual operation of the journal;Secondly,from the perspective of readers of workers,peasants and soldiers,the presupposed lofty subject,observe how Guizhou Literature and The Flowers Of Mountain construct the reader space of workers,peasants and soldiers,and at the same time,take the column Reader’s Pen as the observation platform to observe how readers have influenced the operation of the journal with their great and well-defined identity in more than ten years;Thirdly,from the perspective of author,a specific literary producer,this paper studies how the author of The Flowers Of Mountain completed his own literary production in the seventeen year literary environment by dividing senior authors and young amateur authors.The third chapter is about the literary style and features of The Flowers Of Mountain: taking short stories,poems and features as examples.This chapter analyzes the literary style of this publication by discussing three literary genres,namely short stories,poems and features,which shine brightly in Guizhou Literature and The Flowers Of Mountain.In the analysis of short stories,there are mainly three parts:theme,character and narrative language,which constructed the unique aesthetic space of Guizhou short stories in the 1950 s and 1960s;During the seventeen years,the main type of poetry was political lyric poetry.This deserved mainstream poetry writing condensed the broad and far-reaching aspect of Guizhou poetry writing,while the personalized lyric poetry,as a tributary,more reflected the unique poetic interest of Guizhou,which made up for the lack of human feelings in political lyric poetry;As a literary genre that has shone brightly in the seventeen year literature,the development of feature in Guizhou has also brought with it the customs of the people and mountains of Guizhou.This style between news and fiction uses several victories and outstanding figures emerging in Guizhou’s production and construction as raw materials,which not only completes the feature production specifically for Guizhou,but also enriches the artistic value of reportage.The fourth chapter is The Flowers Of Mountain and Guizhou seventeen year literature.This chapter starts with the interactive relationship between The Flowers Of Mountain and Guizhou’s seventeen year literature.It mainly studies the changes in Guizhou shown in The Flowers Of Mountain and the incubation of literary Guizhou army,a distinctive group of writers.At the same time,it combs the deeds of The Flowers Of Mountain in the literary events that took place nationwide,and grasps how local journals can survive in the national trend from a holistic perspective.