The Change And Innovation Of The Research Paradigm Of "Hua’er" Since The New Period

Hua’er is a kind of unique folk art in Gansu,Qing,Ning and Xin regions,and epitome of folk culture in Northwest China.One hundred years of historical development and precipitation has endowed Hua’er with unique artistic value and cultural value.In May 2006,Hua’er was included in the first batch of national intangible cultural heritage list approved by The State Council.This key measure provides a factual basis for the study of Hua’er in the new era and promotes the research and development of Hua’er art to a certain extent.Through searching "Hua’er" as the search term in three typical databases,namely,VIP,Wanfang and CNKI,the author found that since the new era,the folk art of Hua’er has been transformed into "national intangible cultural heritage",and the social status and art form have changed.Scholars have begun to pay close attention to the folk treasure of Hua’er,the number of literature on Hua’er has increased,made the literature sorting difficult.and there are many research paradigms on Hua’er.It is very important to break the traditional research paradigms on Hua’er and use new research ideas on Hua’er to inherit it.Data analysis is a relatively novel research paradigm of humanities in recent years."Computational folklore" combined with big data research method provides a new research idea for the academic paradigm of folk art.In the specific application,the author uses Cite space software,through the literature statistics of Hua’er research in the three databases since 2006,VIP,Wanfang and CNKI,draws the knowledge map through literature analysis,analyzes the visualization of the knowledge map,explores the hot spots and trends of Hua’er research since 2006,and puts forward his own views.Based on the theory of performance,this paper draws four main research directions,namely "Ci","performance","people" and "inheritance",which are divided into four chapters.Chapter one: Data research on important words in Hua’er texts.Through data analysis and literature analysis,the author finds that in the process of collecting Hua’er texts,traditional Hua’er texts have disappeared,and more existing Hua’er texts are "processed".Chapter two: Study on Hua’er performance and performance field,through the literature analysis of the singing itself and performance field,from the two aspects of "Hua’er meeting" and "cultural space","public cultural space" to explore Hua’er performance and performance field.Chapter three: Study on Hua’er singers and audiences are studied,literature analysis is carried out from three aspects of inheritors,singers and audiences,and the inheritors of Hua’er are discussed.Chapter four: Hua’er inheritance research,mainly in the new period of Hua’er inheritance mode change literature analysis and thinking.Finally,by grasping the academic paradigms of Hua’er in the knowledge graph,the new paradigms of Hua’er research are obtained,thus providing new research ideas for Hua’er inheritance.