| Filial piety is the first of all virtues.There was a generation in the Song Dynasty that advocated filial piety.Under the dual influence of filial piety culture and the thought of "the emperor worships morality",the custom of burying in the Northern Song Dynasty became increasingly fierce,and even caused several court disputes.The social and cultural environment of respecting filial piety and burials has promoted the development of elegiac inscriptions to a certain extent,making them reach the "peak era" in the history of development.During this period,Ouyang Xiu,Su Shi and other writers of mourning and sacrificial writings emerged.Ou and Su inherited the experience of Han and Liu’s ancient writings movement,advocated the restoration of ancient writings,and changed the style of mourning and sacrificial writings,which promoted the development and finalization of mourning and sacrificial writings.Su Shi created a large number of mourning articles with the style of ancient prose.According to the different sacrificial objects,Su Shi’s mourning and sacrificial writings can be divided into four categories: sacrificial writings to teachers and officials,sacrificial writings to colleagues and friends,sacrificial writings to family members and relatives,and sacrificial writings to dead bones of ancient tombs.There have been disputes among friends since ancient times,especially in the Northern Song Dynasty.After the death of the party member,the people in the same party or the opposition party often make articles with condolence.Su Shi was deeply involved in the party dispute.In his mourning articles,he often mentioned the party dispute at that time.In Su Shi’s mourning memorial,the writing of party struggle is presented in a variety of ways,or is outspoken,derogating from the New Deal,or complaining for those who are "difficult to enter",or saying more about their own experiences in mourning articles.In terms of the emotional dimension of the writing of the party struggle,there are mainly three aspects: first,to care about the old love and cry for the ancestors;The second is to mourn the others and pour blocks on themselves;The third is that there are differences in mentality between saying and not saying.Through the writing of the party struggle in the mourning memorial,we can see Su Shi’s unique personality charm of sincere love,aloof and upright,straight and patriotic.The party dispute in the Northern Song Dynasty was a political one.It can also be seen from the exchange of condolence among the parties that they were the relationship between the friendship of the gentleman and the dispute of the gentleman.The mourners were all old people,and the disputes were mostly state affairs.Su Shi’s elegiac inscriptions have their own characteristics in the stylized writing,which are mainly shown as follows: to understand the classics and learn from the ancient times,to aid the classics and history to enter the elegiac rites;The movement of parallel and prose into prose highlights the law in relaxation;The sound is pathetic,and the plaintive voice between words is loud.Tracing back to its source,Dongpo’s elegiac offerings actually got from Han and Liu.The skeleton of its articles and the singing and lamenting of parallel couplets all have traces of learning Han and Liu’s writings.Dongpo’s imitation of Han Liuai’s sacrificial articles is not just a reference,but a "meeting their gods and leaving their traces".Dongpo is different from Han Liu in terms of voice,narrative simplicity and the use of empty characters.There are two reasons for this: first,the early Song Dynasty inherited the disadvantages of the five dynasties,and the style of writing was reformed because of the times;The second is influenced by Ouyang Xiu’s style of plain and simple ancient prose.After the formation of his personality characteristics,Su Shi had an important influence on the development of the style of mourning and sacrificial prose,as well as on the creation of mourning and sacrificial prose by various schools after the Song Dynasty.Su Shi and Su Zhe brothers have the same places of entry and exit,and their mourning articles are also highly comparable.As far as the scope of sacrificial objects is concerned,there are many identical sacrificial objects in the two Sus.However,for the same sacrificial object,the appearance and perspective of the articles of mourning sacrifice in the two Sus are often different.From the perspective of artistic style,Dongpo is good at argumentation,with vast expanses and vast expanses;Yingbin’s prose is more descriptive,shallow and profound,implicit and tactful.In terms of the concept of life and death,Su Shi transited from pursuing immortality to heaven’s determination to win over people,while Su Zhe emphasized that heaven is hard,sincere and unpredictable.There are three main reasons for seeking differences: first,the same growth environment,obviously different personalities;Second,political encounters are similar,and people are different from each other;Third,Dongpo made friends widely,and Yingbin had more experience in the later period.Su Shi’s mourning memorial articles have rich connotations,multiple objects of sacrifice,and focus on the writing of party struggle,with unique characteristics.The style of writing is free and free from formalism,the rhyme and sentence patterns are easy to stretch,and the technique of writing is far from Han Liu and similar to Ouyang.It has become the style of writing for a generation,and future generations should learn from it. |