Research On The National Defense Film Of Wuhan Anti-Japanese War In 1938

Taking Wuhan in 1938 as the starting point,this paper focuses on the development of national defense films during the war of Resistance against Japanese Aggression in Wuhan in 1938.It closely focuses on the background policies,organizations,film ideas and other contents on which national defense films rely,so as to summarize the historical significance of national defense films during the War of Resistance against Japanese aggression in Wuhan.It tries to present the development of Chinese film industry during the Anti-Japanese War.After the September 18 Incident,China’s ethnic contradictions further intensified,anti-japanese national salvation has become the most urgent theme of The Times.The awakening of the national consciousness of the Chinese people and the drastic changes of the social situation have made great changes in The film industry in China.Under the deep influence of left-wing films,national defense films were born from this.National defense films,with patriotism as the core,timely reflect the real state of Chinese society before the outbreak of Japan’s all-out war of aggression against China,and deeply and uniquely show the strong will and determination of the Chinese people to defend their country against Japan and save the country.As the Nationalist government moved west to Chongqing at the end of 1937,Wuhan became not only the center of the national cultural war of resistance,but also the "main front" of national defense films with its unique strategic position.Under the common leadership of the KUOMINTANG and the Communist Party of China,a series of vigorous literary and artistic Anti-Japanese War activities were held in the three towns of Wuhan,which attracted the best soldiers in the national film industry to gather here,providing creative guarantee and theoretical basis for the development process of national defense film from start-up to maturity.After the outbreak of the all-out War of Resistance against Japanese aggression,as the war situation became increasingly severe,the Nationalist government,deeply influenced by the idea of government-run films,decided to include national defense films into the system of "Anti-Japanese War to build a nation" and make full use of films as a propaganda tool to serve the war of resistance against Japanese aggression.In Wuhan in 1938,the National government established the Wartime Film Control Measures,which officially clarified the guidelines for the wartime film industry,namely,rapidly integrate all the official and private film institutions,produce various national defense films with documentaries as the main body,penetrate into cities,villages and barracks through various distribution channels,and take into account overseas.Make full use of the film as an easy to understand medium to serve the propaganda of Anti-Japanese War.At the same time,the Nationalist government also set up the third Hall,an organization jointly led by the KUOMINTANG and the Communist Party,which was responsible for the cultural Anti-Japanese War.In a series of cultural activities of Anti-Japanese War and national salvation led by the third Hall,the propaganda scale and influence of national defense films were greatly enhanced,and a large number of excellent film talents were cultivated and trained.It plays an important supporting role for the development of national defense film industry.Especially under the leadership and help of the third Hall,"China Film Studio",an important production institution of national defense films,was reorganized and expanded."System" in wuhan took a batch of excellent quality,during the Anti-Japanese War theme is rich,the far-reaching films,including the known as the "defense film trilogy" defend our land,"blood phenomena","eight hundred strong men" three defense movie masterpiece,three films or in the theme content,or art form,Or in the publicity effect have made a major breakthrough.It not only created a new artistic style and production paradigm of national defense film feature film,effectively echoed the national defense film construction idea of saving the nation for survival and mobilizing the whole people,but also profoundly influenced the development path of the "rear area film",and played an important historical landmark in the history of Chinese film.But in addition,the national defense film of the construction of the ideological line in wuhan also get to establish unified,film industry through holding big discussion about defense film,not only quickly clarify the defense film,and the problems faced concrete methods of path and points out the development of national defense films,more important is unified the ideological line of defense in wartime film,film,led by an officer camp,In order to give full play to the effects of education,training and mobilization of the people in wartime,it mainly reflects the reality of the Anti-Japanese War in content and attaches importance to the promotion of rural areas in propaganda.Not only cleared the theoretical obstacle to the development of defense after the movie,to promote the healthy development of the film theory system,but also in deeply influenced the development of Chinese movie industry after the fate of the route of "of" Chinese film played a "time with" important historical model function,become the important node defense film development in the future.To sum up,the development course of wuhan national defense films during the Anti-Japanese War is a history of anti-japanese national united front.In order to expand propaganda,called on the whole people to jointly resist Japan,in a "silver soldiers" unremitting efforts,film propaganda channel further broaden,"film to the countryside","film to enlist","film to go abroad" has become a powerful weapon of national defense film propaganda,greatly encouraged the enthusiasm of the war of resistance.In addition,the national defense films during the Anti-Japanese War in Wuhan also achieved further inheritance and development in film art,which not only achieved a breakthrough in the theme of integration of home and country,but also demonstrated the aesthetic style of realism,and occupied an indispensable historical position in the history of Chinese film.Defense,as it were,the film was developed during the Anti-Japanese War in wuhan,become a link "left-wing film" and "rear area films" is the key node,it is not only in the process of the development of Chinese movie history occupies an indispensable historical position,especially during the Anti-Japanese War history,writing a magnificent scroll of history!...