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A Study On The Poetics Of The Remaining People Who Traveled To Japan During The Ming And Qing Dynasties

Posted on:2023-04-21Degree:MasterType:Thesis
Country:ChinaCandidate:F Y DengFull Text:PDF
GTID:2555307088970259Subject:Chinese Language and Literature
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The late Ming and early Qing dynasties were the heyday of Chinese heritage poetry,and the heritage literature outside the region was the new development of heritage poetry.In recent years,the study of folk poetry has become one of the priorities of the literature research of Ming and Qing Dynasties,and the folk folk have also focused on the highlight of academic research.This paper mainly takes the poetics of the Japanese heritage as the research object,and interprets it as much as possible,in order to supplement the poetry of the Ming and Qing Dynasties.At the same time,on the basis of the overall grasp of the poetics,its cultural contribution and the modern value of the group are discussed.The emergence of overseas survivors in the end of the Ming Dynasty is the inevitable result of the special era background.In the Ming and Qing dynasties,the political view of "the debate of Hua Yi" was particularly prominent.Therefore,from the collapse of Chongzhen dynasty to the decades after the failure of the Southern Ming Dynasty,many scholars,monks and merchants crossed the ocean and spread Chinese culture in different regions.The most outstanding among the survivors are Zhu Shunshui and Chen Yuanyun.Their literary and cultural exchanges with Japanese literati and scholars had a great influence on Japanese society and culture,and were widely recognized by the Japanese people,representing the highest achievements of the Japanese literature.First of all,this article reviews the background of the Japanese heritage group,and briefly introduces in detail the political background,ideological environment and cultural environment of the two countries during the Ming and Qing Dynasties.Then,Confucian Zhu Shunshui and Chen Yuanyun as the representative of the poetic discussion: Zhu Shunshui belongs to the mellow Confucianism,his scattered poetics mainly to the core of the world,the Japanese Confucian style,representing the mainstream poetics tendency of Edo in the early stage,is a practical poetics based on the premise of political attributes.Chen was deeply influenced by the development of poetics in the Ming Dynasty,based on the development of Chinese poetry in Edo,in the trend of "retro" and "innovation" in the Ming Dynasty,he formed the poetic choice of "xing ling" and "style" with tolerant and compromise attitude.In addition,Chen’s poetics thought undertakes the public security poetics,has strong Taoist feelings,and makes important contributions to the development of Daotics in Japan.Finally,this paper will take Zhu and Chen as the representatives to penetrate the point and explore the influence of the survivors on Japan,on the return and feedback of Chinese culture,and even on the whole East Asian cultural circle.The power of the individual is only harmonious to the collective Chinese can show its strong nature.It is of great value to the development of the Chinese poetry in the early Edo and the integration of culture.As a product of the special era background,the cultural influence of the group has experienced vicissitudes of life and been enduring,which is of great significance to the contemporary cultural exchanges between China and Japan and even the whole East Asian cultural circle...
Keywords/Search Tags:Ming and Qing Dynasties, the Early Edo Period, poetics, cultural influence
PDF Full Text Request
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