A Study On The Calligraphy Art Of Zhouyi By Chu Jane In Shanghai Museum

Bamboo books of the Warring States and Chu Dynasties are a kind of very important unearthed documents in the study of Chinese writing history and calligraphy history.In the history of Chinese calligraphy,Chu Jian plays an important role in influencing the clerical script of Qin and Han dynasties under the superior bronze inscriptions of Shang and Zhou Dynasties.Its calligraphic significance,aesthetic value,artistic style and characteristics of calligraphy all have certain academic value.The bamboo books of the Warring States Period and Chu Dynasty in the collection of Shanghai Museum are large in volume and rich in content.They are a relatively late batch of the bamboo books of the Warring States Period and Chu Dynasty.Because of the late time of transcription,it is more likely to fully absorb the various artistic characteristics of Chu Jian characters.Because it was in the late Warring States period,which was about to undergo drastic changes,its style of writing was unique.This paper takes the Collection of Warring States Chu Bamboo Books(III)in Shanghai Museum by Shanghai Ancient Books Publishing House as the reference catalogue,and selects Zhouyi as the research object.The article is divided into five chapters.The first part is the introduction,which introduces the unearthed situation of Shangbo Chu Jane,reviews the research status of the basic text literature of Shangbo Chu Jane,and the research status of Chu Jian silk calligraphy.The first chapter introduces the text situation of Shangbo Chujian,as well as the text content of Zhouyi by Shangbo Chujian and the three writers involved,which makes preparation for the following categories of calligraphy styles.The second chapter explores the preconditions for the formation of the style of writing in Zhouyi by Chu Jane in Shangbo,the influence of the regional characteristics of Chu culture and aesthetic orientation,as well as the regularity of the development and evolution of characters.The third,fourth and fifth chapters are the key chapters of the article.The third chapter analyzes the calligraphy style of Zhouyi by Shangbo Chu Jane,divides it into categories according to the different calligraphy styles of the three calligraphers,discusses and analyzes from the aspects of pen,character knot and chapter method.Among them,Shushou one is the main style of the book,and the Zhouyi by Shangbo Chu Jane as a whole shows the writing style of Chu Jane,which is simple,flat and tight.The fourth chapter traces the brushwork source of Zhouyi,because the brushwork of Zhouyi is in the superior style of Zhou,Chu and Jin in the history of Chinese calligraphy,which plays an important role in influencing the generation of new style.Tracing the brushwork source is beneficial to clarify the context of the brushwork and make its calligraphic appearance have a theoretical basis.Through the analysis of brushwork and font,it is found that the brushwork of Zhouyi is derived from the Jin wen of Zhou Chu,and has an enlightening effect on the brushwork of the epistles and some regular scripts of later generations.The fifth chapter makes a comparative analysis of Zhouyi by Shangbo Chu Jane and other simple books,through which we can understand the historical value of calligraphy in a more comprehensive way.Comparing with Laozi by Guo Dian and Chu Slips in the middle period of Warring States,it can reflect the development and simplification of Chu slips in the middle period of Warring States to the late period of Warring States.The comparison with the "Law of Effect" written by Sleeping Hudi Slips in the late Warring States period can reflect the different ways and results of the development and evolution of slips in the late warring States.The last part is the conclusion.Through the above horizontal and vertical comprehensive analysis,it makes the aesthetic characteristics and the status of the book history clearer and clearer.