Research On The Color Language Of Morandi Color In Film And Television Works

As one of the important components of film and television art,color is the visual language of film and television works.Through the combination of picture colors,film and television works shape the character image,create an environmental atmosphere,promote the development of the plot,and convey emotional themes.With the development of the times,people’s material and cultural level and artistic aesthetic level are constantly improving,and the requirements for the color and artistic design of film and television works are getting higher and higher.With its high gray,high white,less fresh color and low purity gray tone,Morandi color shows a unique artistic charm in film and television works,enriching the color language of film and television works.This article mainly takes the visual aesthetic and artistic expression of Morandi color system in film and television works as the starting point.Through the integration of literature,it analyzes the composition concept and color tone of Morandi color system.After investigation and analysis,it grasps the application of Morandi color system in TV works and film works.On this basis,we analyze the tone of Morandi’s color system in specific film and television works from the perspective of hue,color coolness,purity and brightness,and further analyze its emotional performance in visual aesthetics.Then,by analyzing the performance role of Morandi color in character clothing,prop design,scene picture,lighting layout and later color matching,the artistic expression method of film and television color language is studied.Finally,it summarizes the four revelations of the research of Morandi color language in film and television works,which illustrates the artistic charm,visual experience,cultural communication and marketing value of Morandi color in film and television works.This not only enriches the specific research on the picture color of film and television works,but also provides a unique observation perspective for the development of contemporary film and television color.