The Rhythm And The Expectation Of Music Perception In Vocal Music Singing

The opera "Mercy of Tito" is the last opera of Mozart’s life completed in the predicament,and also the last formal opera in his creation history.One aria,"Deh,per questo istante solo"(Istante Solo),has rarely been thoroughly analyzed by scholars.As a vocal singing {Bel Canto} direction learner,learning Mozart’s works is an important link.This work has been practiced for three years since the third year of undergraduate study.It can be said that different old and new problems will be encountered in each practice and singing.Macroscopically speaking,the author will make an auxiliary analysis from the aspects of background and musical form of the work,and make a main exposition in combination with my understanding of rhythm and music expectations in vocal singing,hoping to apply the psychological knowledge explored to stage practice.At the micro level,through the use of atmosphere,vowel words and emotional resonance throughout vocal music interpretation,the author describes the passive role of forming the sense of rhythm in vocal music interpretation from the value of "enough" in iambic phenomenon,and explains the importance of subjective training of "micro-rhythm" in vocal music interpretation from the natural tendency of internal auditory aesthetics to "micro-rhythm".On this basis,the author will also make a description of the law of musical expectation in vocal music interpretation from three aspects: expectation threshold,internal and external balance and "sense of proportion" under the second creation.First of all,from the perspective of "the appreciation" of the initial aesthetic judgment,accurately grasp the rhythm of "increase one point is more,reduce one point is less";Secondly,as an "admirer" and "performer",I set expectations for the works in advance,and put my own understanding and interpretation into them,so as to meet my own two-way expectations--"one person and two roles";Finally,it is the inner sense of balance after the expectation is fulfilled in both directions: the expectation created and satisfied by the "appreciator",the expectation created and released by the "performer",and the expectation of the songwriter in composing the musical direction and adding the role to it.Therefore,the author will not only improve the fluency and integrity of his own singing works,but also improve the accuracy and stability of grasping similar unfamiliar works in the future by discussing the "micro-rhythm" and inner auditory expectation in the process of music flow.Moreover,it will improve its perception ability of "micro rhythm" in the rhythm and its control ability to meet the audience’s "opposite expectation" when it is expected.