Research On Li Xiuwen’s Creation Under The Threshold Of Symptoms

As an independent literary genre like poetry,prose,novels and plays,creative discourse is an important medium to study writers’ creative thoughts,literary ideas,writing paths and ideological changes.In a broad sense,as long as the articles related to his creation can be regarded as a kind of creative discourse,and in Li Xiuwen’s ceaseless writing career,there are more than 40 incomplete writings continuously writing discourse,forming a continuous literary landscape.Li Xiuwen,as a new generation of Hubei writers,is well known by the academic circle for his unique "cross-style" writing mode and rich playwriting in recent years.However,there are very few studies on his creative discourse.Scattered creative discourse records his "absent" growth history,his "speechless" works expression,and his "blank" emotion filling academic growth points to be explored since he entered the literary circle.With the history of literature,the history of thought,the history of the depth of the progressive significance.To reread the text of Li Xiuwen’s creation with Althusser’s "symptomatic reading method" of reading Marx’s "Capital" is quite extraordinary.First of all,the author presents three "cultural signs",namely,"dialogue between modern and traditional","reference between real and fictional",and "game between original village and thousands of Xinjiang",in the reading of the creation and discussion of other texts.From breaking the game into the dilemma of traditional culture,the author reconstructs the contemporary significance of folk resources,and moves towards the "writing path of returning to the tradition".From the writing path of pursuing "literary truth",it presents the warm aesthetic literature aesthetic paradigm of "aesthetic truth".The writer pays attention to the spiritual depression of "leaving--returning--leaving again",and builds a "road to return" and "way of expression" for those who find their spiritual homeland in vain under the context of The Times,thus forming the writing tendency of "returning to tradition","respecting truth" and "spiritual homeland".Secondly,the writer reveals the "psychological signs" of "privacy","super utility" and "popular character" in the reading of the creation and other texts.The writer’s aestheticized writing of "sexual desire" not only dispels the mystery of the theme,resists the suppression of human instinct,but also defends the "lust" and "emotion" of love writing,constituting a new way of speaking the theme of "sex" in contemporary times.Finally,the author interprets the "formal signs" in the reading of the text and other texts from three dimensions: "The exploration of the change of text","the exploration of narrative form" and "the differentiation of perspective deviation".From what way to say,what to say and who to say,the writer answers the problems of stylistic change,approach writing and mutual proof of truth in his own literary text creation through the different contradictions in the discussion of the same problem.As a kind of psychological expression,creative talk is the storage box of writers’ creative memory,and writers’ memory is the basis of higher thinking,but also an important basis for writers’ creation.Using Althusser’s "sign analysis" reading method of reading Marx’s "Capital" to observe the writer’s creative mind has academic significance and ideological value worth digging.As the first layer(surface structure),the writer’s works directly reflect the writer’s creative thinking,while as the second layer(deep structure),the writer’s creative talk has the silence,blank,apnea and doubt unconsciously created by the writer in the way of "there is nothing".The writer’s creative talk is compared and read with his works,so as to summarize and integrate what is not mentioned in the works.And the parts already existed in the works mentioned in the creation talk have innovative value worth exploring.