An Analysis Of The Creative Characteristics And Playing Techniques Of The Adapted Piano Music "Cai Diao"

“Cai Diao" is a folk song spread in Yunnan Yi people,has evolved into a song often sung by the Han people and has been adapted by a number of musicians into the same name piano music.The three composers,Wang Jian zhong,Chu Wanghua and Zhu Jian er,all created and adapted the song based on the melody of Caidiao folk song,which showed the ethnic characteristics with their different creation characteristics and had important significance for the progress of Chinese piano music.For example,under the policy of "let a hundred flowers bloom and a hundred schools of thought contend",Wang Jian zhong responded to the call and adapted this folk song first in 1958,mainly using traditional western composition techniques and consciously exploring the combination of ethnic characteristics in piano works,which laid a certain foundation for the creation of later generations.The version adapted by Chu Wang hua is more powerful and complex.He maintains the male and female duet form of the original folk song,and fully uses the characteristics of different tone areas of the piano,the grace note endowed with ethnic characteristics,and the writing method of texture variations to show the Chinese ethnic rhythm incinctly and vividly.After zhu came back from The Soviet Union in 1962,he caught up with the critical period of the development of domestic piano music localization.He boldly used the combination of two hands minor second key relationship,the modern technique of parallel three melody lines and the unique showy toccata texture,which is a model of "combining Chinese and Western elements".This paper selects three piano pieces adapted from folk song "Cai diao" as the theme melody for comparison and analysis,focusing on the experience of three composers and the creation process of "Cai diao" adaptation,in terms of creation techniques,mainly on the form structure,mode tonality,harmony and other aspects of comparative analysis;In playing techniques,mainly to touch the key on the timbre of the influence,fingering use,speed control,pedal processing and performance of the singing and technical coordination to discuss.Finally elaborated the commonness and individuality between them,will be obtained in the research status of combination of theoretical knowledge and practical experience of playing,focus on playing,and then combine with their own playing experience,carries on the second creation,will be using the method of comparative study to the piano,let players face the works of different styles and different technique can better grasp.