Relationship Between Language And Picture Of Song Yu’s Fu

Song Yu is a Ci Fu master who is also known as Qu Yuan in the late Warring States Period,and is the founder of Fu style literature.Since the birth of Song Yu’s Fu text,the Picture of Song Yu’s Fu also came into being.Compared with the images of Qu Yuan’s Fu,there are not many images of Song Yu’s Fu,and the related research is relatively cold.Song Yu’s Fu pictures,as an important part of Chu Ci pictures,are of great significance to the study of the relationship between ancient Chinese texts and pictures and the study of the history of Chu Ci.This paper takes the relationship between text and picture in Song Yu’s Fu as the research object,and tries to investigate the mutual interpretation mechanism,acceptance of text and picture,aesthetic evolution and value impact of Song Yu’s Fu on the basis of sorting out the existing picture data of Song Yufu,in order to promote China The discourse construction of the text-picture relation theory and the perfection of the history of Chu Ci studies.The full text is divided into five parts.The first chapter presents the text and pictures of Song Yu’s Fu.The relationship between text and picture is essentially the relationship between text text and picture.This chapter firstly reviews Song Yu’s Fu text images and divides them into three categories: character groups,scenery groups and sensory elements.Afterwards,the collected extant picture data of Song Yu and its Ci Fu pictures are divided into three categories: Song Yu pictures,pictures based on Song Yu’s Fu text and pictures derived from Song Yu’s Fu,to give an overview of the pictures.The second chapter,the mutual interpretation mechanism of Song Yu’s Fu text and pictures.This chapter discusses the logical relationship between Song Yu’s Fu text and picture generation,and divides the text-picture mutual interpretation mechanism of the existing Song Yu’s Fu pictures into two categories: "according to the situation" and "adapting to the meeting".According to the richness of the pictures in Song Yu’s Fu texts,there are three kinds of situations: "text and pictures correspond","texts are rich in pictures" and "texts are brief in pictures".With its inheritance and innovation of Song Yu’s Fu text,"Flexibility and Adaptation" has two situations: "investing in old facts" and "discretionary in new voices".The third chapter is the acceptance and aesthetic evolution of Song Yu’s Fu relationship between text and graph.This chapter first divides the image reception history of Song Yu’s Fu texts from Tang Dynasty to the present into three periods: ancient,modern and contemporary,and investigates the reception of Song Yu’s Fu texts by people’s paintings in different historical stages and the reasons for the acceptance.Afterwards,it analyzes the evolution of the motives for the construction of the relationship between Song Yu’s Fu writings and pictures,the change of the subject of acceptance,the evolution of aesthetic tastes,the evolution of aesthetic forms,and the evolution of the communication of texts and pictures.The fourth chapter,the value of Song Yu’s Fu relationship between text and picture.This chapter discusses the motif and prototype value of the relationship between Song Yu’s Fu texts and pictures,and analyzes the characteristics of Song Yu’s Fu texts and pictures,the focus of text-picture descriptions,the development and changes of texts and pictures,the trend of text-picture types,and the creation of texts and pictures.The unique position of relationship in the history of Chinese native text-picture relationship theory is expounded.In the conclusion,why do literary pictures serve as "criticism",elevate literary pictures to a kind of literary "criticism",summarize the characteristics and meanings of literary pictures as "criticism",and discuss how to realize the methodology of literary pictures as "criticism".On the one hand,the pictures of Song Yu’s Fu in the past dynasties expanded the audience of Song Yu’s Fu,and on the other hand,they also showed the understanding and interpretation of the text by the main body of the painter.The rise and exploration of contemporary Chinese native text-picture relationship theory has given a new perspective to the study of Ci Fu in the new era,and also brought a new research space to the study of Song Yu’s Fu.