Research On Yao Jianzhi's Poems And Essay

This paper is a study of Yao Jianzhi’s poetry in Tongcheng,Anhui province.Taking his poetry collection as the basic literature and supplemented by local historical records,he makes a systematic investigation of his poetry creation,expounds the characteristics of Yao Jianzhi’s literary creation,and examines the connotation of Yao Jianzhi’s literary creation from a broad perspective.This article is divided into seven chapters.The first chapter is an overview of Yao Jianzhi’s life and writings.The author summarizes Yao Jianzhi’s life from five aspects:his family,childhood experience,the road of seeking an official,eunuch experience and resignation,discusses the external conditions and internal motivation of Yao Jianzhi’s poetry and prose creation,and focuses on the change of Yao Jianzhi’s mentality and creation process in different periods.The work section mainly summarizes the version,content and circulation of its main works.The second chapter is the study of Yao Jianzhi’s,Yao Jianzhi traveled around,widely distinguished scholars,and talked with his predecessors and peers about their influence on his literary thoughts,creative ideas,governance of officials,emotion and behavior.The third chapter is the study of Yao Jianzhi’s poetry.Among the more than1,400 poems in Yao Jianzhi,the poems are rich in content and diverse in artistic characteristics,which makes them rich in connotation and profound.The fourth chapter starts with Yao Jianzhi’s prose,explores the subject matter,theme,content and the artistic characteristics of his article,and expounds the ideological content and artistic style presented in his prose creation.The fifth chapter mainly expounds the Confucian implication of Yao Jianzhi’s poems and prose.First of all,it is reflected in the Confucian connotation of the characters in poems and articles.This theory mainly analyzes its Confucian standards from its evaluation of historical figures,celebrities,relatives,teachers and friends,and women.Secondly,in the literary creation of the expression of ethical affection,Yao Jianzhi’s affirmation of Confucian ethics to maintain the stability of family and social relations.Thirdly,in the realistic record of poetry creation,Yao Jianzhi reveals a strong sense of social criticism under the view of Confucianism.As a traditional literati,under the influence of Confucian ideology and culture,Yao Jianzhi sought fame,actively became an official,and helped the people;read and recited the classics,cultivated his personal character,upheld the flattery of Confucian thought,and disciplined it,which made his poetry creation full of strong Confucian connotation.Chapter 6 is written in Guizhou in Yao Jian’s poems and articles.Yao Jianzhi moved to the northwest of Guizhou from Anhui province,under the jurisdiction of Dingding Prefecture,and lived here for five years.In his poems and essays,there are a large number of works related to Guizhou,who have lived in Guizhou for many years.From the perspective of an official in the Yangtze River,he examines the relevant customs of Guizhou,showing the theme,content,literary images and customs and culture,showing the change of his creative mentality and showing the distinct regional color of Guizhou.Chapter 7 is Yao Jianzhi’s ceaseless study of Tongcheng School.As a "later study of Tongcheng",Yao Jianzhi’s creative propositions and literary criticism are all branded with the imprint of Tongcheng literature.His literary theory emphasizes "sound and color smell",and has a distinct wind of textual research.The content reflects the thought of applying to the world.His exposition of the literary creation proposition intuitively shows his recognition of Tongcheng literature.