The Cinema Of Attraction In The Conceptual History Perspective

Since its birth,cinema has maintained its vitality and strong attraction.In the process of exploring why cinema is attractive,we have been thinking: What makes cinema attractive? In order to answer this question,we must first go back to the rethinking of early cinema,i.e.,to the period when Tom Gunning proposed "The Cinema of Attraction",to find its origin,and to analyze the initial,turning and Through the interpretation of the concept,we will find a new way to understand the form of cinema,and also provide a mirror to explore the issue of attractiveness of images throughout the century of film history.In the introduction,the research background and the present situation are introduced,and the significance and methodology of the study are explained.The first chapter traces the origin of the concept of "The Cinema of Attraction" back to the concept of "attractive montage",which was originally borrowed from the film,and compares the background of the formation of this theory,looking for the difference between "attractive" and "attractive film" in terms of Eisenstein’s theory and practice.The second chapter focuses on Tom Gunning’s "attraction montage" and "attraction montage".The second chapter focuses on Tom Gunning’s "The Cinema of Attraction",outlines the background and process of the formation of the concept of "The Cinema of Attraction",and explains the formation and determination of the name and terminology of the concept,and then discusses the connotation of "The Cinema of Attraction" through the discussion of "The Cinema of Attraction".Then,by discussing the connotation of "The Cinema of Attraction," we define the concept and return to the original object of study,namely early cinema,to discuss several aspects related to the origin of the qualities of "The Cinema of Attraction.Chapter 3 focuses on the evolution of the concept of "The Cinema of Attraction",discusses the relationship between "attractive" and narrative at different stages of cinematic development,and discusses the "shock experience" induced by "The Cinema of Attraction" in the technical aspect.The relationship between "attraction" and narrative at different stages of film development is discussed,and the "shock experience" induced by "The Cinema of Attraction" at the technical level is discussed,and extended to the current "digital attraction".