The Study Of "Defamiliarization" Expression In The Creation Of Watercolor Painting

The theory of "defamiliarization" is the core concept of Russian formalism,which advocates that the fundamental artistic purpose of literary creation is not aesthetic purpose,but aesthetic process.Although the theory of "defamiliarization" was put forward at the beginning of the 20 th century as a literary concept,its theoretical origin has a long historical tradition in different fields of art.From the development of the entire western painting world,many modern schools from the 19 th century to the 20 th century have expressed the idea of "defamiliarization"."Defamiliarization" is a kind of painting idea that comes into being with the progress of the times.It is hidden in our creation and appreciation.This idea has been fully manifested in the creation of modern watercolor paintings.The beauty of form in watercolor paintings has been discovered,and the art form has been continuously innovated.And "defamiliarization" has gradually explored from the external level to the internal level,and extended the aesthetic connotation by means of "defamiliarization" The purpose of arousing people’s aesthetic emotions.This article is divided into five chapters.The first chapter introduces the research background and significance,research status,and innovation of this article.The second chapter discusses the concept of "defamiliarization" theory and its background.After explaining the concepts of "defamiliarization" and "automation",it takes literary works as examples to analyze and explain.The third chapter discusses the familiar process of visual aesthetics of "defamiliarization" in painting.The fourth chapter uses literature research,image research and other methods,through a large number of works analysis and interpretation,summarizes the presentation of the "defamiliarization" theory in watercolor creation,and analyzes with examples from the aspects of the deconstruction and reconstruction of objects,subconsciousness and dreams,subjective color expression,and comprehensive materials.The fifth chapter expounds the practice and enlightenment of the "defamiliarization" of objects in the author’s watercolor creation,analyzes what abilities need to be possessed in watercolor creation to better use the "defamiliarization" theory,and the problems that need attention.To sum up,by analyzing the expression mode of "defamiliarization",we can summarize some experience and find some rules.Through the "defamiliarization" expression of objects and the use of materials,we can break people’s conventional thinking mode,thus transforming a new,broader and richer watercolor artistic language and expression.