The Multi-mirror Image In Modern Chinese Women’s Autobiography

Chinese modern women’s autobiography is a female writing mode,which appears under the combination of Western autobiography and Chinese Biographical Literature,and embodies strong gender consciousness and literary consciousness.Modern women’s autobiography is a genre of women’s stories mainly narrated by women,which has the pioneer significance of building women’s writing tradition.This thesis will analyze the rich self-image and subconsciousness of modern women’s autobiography through Lacan’s mirror-image theory,and try to make a new research on the single and flat image of modern women in the past,this paper explores the unconscious of female biographers in writing their own lives,and analyzes the use of discourse power of female biographers in the writing process.This paper chooses the women’s autobiography in the history of Modern Chinese literature as the object of study,rearranging the process of modern women’s self-imagination,self-construction and self-image establishment.This paper is divided into five parts.In the first chapter,the author defines autobiography,Female Autobiography and autobiography in the category of Modern Chinese literature,defines the object of study,and classifies the theories involved The second chapter is the main body of the article,analyzing the multiple images of modern Chinese women under the reflection of lacan’s mirror image theory: The ideal self of modern women under the Mirror Image of mother-daughter oneness,in the stage of self-love,modern women’s narcissism from “Ego”to “Big Ego”,the tragic complex of modern women and the expression of suffering personality in the stage of self-love invasion;The third chapter analyzes the characteristics and discourse power of modern women’s autobiography,and the conclusion part makes a sort and summary of the main content of the article.