Analysis Of The Coordination Of Voices In The Performance Of Beethoven's Violin Sonata No. 7 In C Minor, Op. 30, No.

This paper focuses on Beethoven’s Violin Sonata No.7 in C minor,Op.30,No.2,exploring various aspects of the piece such as its basic introduction,formal structure,performance criteria and practice techniques for ensemble playing,as well as the coordination and collaboration skills required for the violin part.Based on the theory of ensemble music performance and personal practice experience,the author describes the techniques for coordinating the parts of the piano and violin when performing and practicing the sonata,including intonation,rhythm,sound balance,and collaboration between performers.Furthermore,the paper analyzes the coordination skills required in each of the sonata’s four movements,providing specific suggestions for performance and rehearsal in order to better showcase the composer’s creative intentions and stylistic characteristics.This paper uses a combination of literature research and practical research.Through the study presented in this article,readers can broaden their research perspectives on the genre of classical period violin sonatas,understand the development,performance theory and specific practice methods of violin sonatas,as well as master the techniques of part cooperation in performing this sonata,thereby improving performance skills and artistic expression.This article has practical value and utility,and it is hoped that it can provide some inspiration and reference for performers of piano and violin sonatas.