| The postscripts of "Lanting Xu" by the Song people has both documentary and artistic values.On the one hand,its text form preserves the research methods and ideas of the Song people on the carving copy "Lanting Xu",which is the basis for later scholars’ research.On the other hand,its calligraphy is also a precious document,and some of the postscripts calligraphy handed down from generation to generation,together with the postscript objects,have become the objects of later generations to learn from.This paper sorts out "Lanting Kao" and "Lanting Xukao" in the middle and late Southern Song Dynasty,so as to compare them with different versions,and to explore the development of the the carving copy "Lanting Xu" and its postscripts in the Song Dynasty.Based on the document of the "Quan Song Wen" and "Quan Song Shi",this paper makes a cross-check of the postscripts documents that were not included in "Lanting Kao" and "Lanting Xukao",and probes into and analyzes the reasons.It focuses on exploring the uniqueness of the postscripts of "Lanting Xu" by the Song people from the two aspects of form and content.On the basis of dichotomy,there are rhymes and scattered poems in the postscripts,and the rhymes are mainly poems in the postscripts.The postscripts of "Lanting Xu" written by the Song people involved many aspects in content.When shaping the artistic image of "Lanting Xu",they not only pay attention to the shape and appearance of the carving copy,but also pay attention to its spiritual charm.The identification of the authenticity of Dingwu edition is also an important content of the Song people’s postscripts,and identify according to what they heard.The postscripts behavior and its content also reflect the Song people’s collection of paintings and calligraphy,daily friends and so on.The postscripts poems show distinct characteristics of the times,and the images presented in them are also the epitome of the historical background and cultural trend of thought of the Song Dynasty. |