Comparison Of Li He And Li Shangyin’s Acceptance Of Chu Poetry

"The poetry of Li He,the descendant of Soso,and Li Shangyin,the relic of Qu and Song,were both influenced by Chu-rhetoric,but their acceptance of Chu-rhetoric was different from each other.In this paper,we will try to reorganize the poems of Li He and Li Shangyin from the perspective of literary acceptance,to explore the deeper reasons behind their acceptance of Chu-rhetoric,and to analyze the similarities and differences between their acceptance of Chu-rhetoric and the causes of the differences and differences.The turbulent times of the Middle and Late Tang dynasties provided an opportunity for Li He and Li Shangyin to pay attention to the Chu Shi.The two men’s noble origins and their unfulfilled aspirations led to a deeper understanding of Qu Yuan’s tragic fate.In addition,Li He and Li Shangyin’s experience of traveling to Hunan and Chu deepened their understanding of the Chu-rhetoric,and both social and personal reasons led Li He and Li Shangyin to the world of the Chu-rhetoric.The use of the vocabulary and meaning of Chu rhetoric into poetry is the primary commonality between the two Li’s acceptance of Chu rhetoric,but there are also differences in the same.Li He is guided by the spirit of Chu-rhetoric,and likes to choose the strange and fantastic words and deep and mysterious poetic realm of Chu-rhetoric to nourish his own poetry,while Li Shangyin quotes a lot of Chu-rhetoric to actually use the vision of Chu-rhetoric to hurt himself,and is extremely twisted and resentful,and often compared to Song Yu.The difference behind this has a lot to do with the creative tendencies of each of the two Li.Vanilla beauty is the most important part of the composition of the two Li accept Chu rhetoric.Li He took a different approach,rewriting the image of herb beauty,a symbol of beauty and nobility in Chu rhetoric,into the image of fading and lonely herb beauty,showing a cold aesthetic tendency.Li Shangyin,on the other hand,continues to explore deeper and deeper,making the vanilla beauty imagery not only a sentimental image of unrequited encounter,but also a multi-layered imagery with multiple meanings that encompasses a universal sense of life.Based on the Chu culture,Qu Yuan used lyrical strokes to portray sorrowful and sentimental goddesses such as the Mountain Ghost and Lady Xiang,while Li He and Li Shangyin also included the images of the Mountain Ghost and Lady Xiang in their poems.Li He’s images of the goddesses are characterized by strong color contrasts,leaping imagery and deep thoughts on life and death,making the images of the goddesses in his poems not only originated from the Ch’u rhetoric,but also characterized by lush colors and strange imagery.Li Shangyin,on the other hand,places the divine maiden in a tortuous and circular structure,revealing an amorous self-consciousness.