Two Profundity Of Aesthetic Research To The Chopin Piano Sonata No.3 In B Minor

Among three piano sonatas which composed by the great 19 th romantic composer—Fryderyk Franciszek Chopin,the Aesthetic quality of the Piano Sonata No.3 in b minor illustrate more strong and unique extent which different from the previous two work.In this work,Chopin’s construction of musical form and expression of musical emotion reveal more rational and restrained characteristics.The emotional outpouring in music is also presented in a more metaphorical way.Leave the internal spirit which hided in deeper level,perceived by people in a more profound way.This paper used the “Structural profundity” and “Epistemic profundity”which introduced by the British philosopher Aaron Ridley as the theoretical framework of Aesthetic trait for the research of the Piano Sonata No.3.Meanwhile combine the “Musicological analysis” introduced by the Chinese famous musicologist Runyang Yu as the guideline of methodology.Intended to analyzes,interprets and summarizes the more essential morphological and aesthetic features and rules in the work Piano Sonata No.3 in b Minor.The research of this paper includes three aspects:Firstly,the specific validity and characteristics of the methodology,namely the theoretical background,specific content and applicable research scope covered by the theories of "Musicological Analysis","Structural Profundity" and "Epistemic Profundity".Secondly,analysis of the work "Piano Sonata No.3 in b Minor" mainly includes musical analysis of background of composition and musical form harmony,and on this basis,interpretation of "Structural Profundity",namely: "The drop and advance of musical mood--aesthetics of harmonic tension and tonal transformation","The accumulation and release of musical narrative--aesthetics of material development and overall conception","Dissociation and collision of acoustic structure--aesthetics of texture layout and vocal part processing".Finally,humanistic interpretation of the work Piano Sonata No.3 in b Minor from the perspective of society-history,further combined with the creation concept displayed at the level of "Structural Profundity",and analyzed and summarized the "Epistemic Profundity" shown in the interaction between music and human,namely: "Rationality--Metaphor--Optimism at the level of emotional expression","Poetry--Fantasy--Sadness at the level of spiritual connotation".