| The thesis takes the minority writers of Inner Mongolia after the founding of New China in 1949,Malaqinfu,Wureertu and Dulan as the research objects,and studies the literary production and dissemination mechanism reflected by the three,using the theory of literary production system and the theory of literary production.Mainly using the method of combining external research and close reading of texts,discusses the mechanism of literary production and transmission in contemporary China and the dialectics of minority cultures in Inner Mongolia,combined with the characteristics presented in the history and aesthetics of the literary republic process,discusses The historical evolution of the production and dissemination mechanism of Chinese minority literature.The thesis is divided into three parts:the introduction,the main body(three chapters),and the conclusion.The introduction part discusses the origin and significance of the thesis,discusses how Malaqinfu,Wureertu and Dulan became the representatives of the Chinese writing of Inner Mongolian minority writers in different times,and focuses on the research status of the issues related to this topic.The main text is divided into three chapters.The first chapter analyzes the similarities and differences of the three writers in the production of literary content from the choice of themes and the setting of characters,and discusses their choices under the influence of different production methods.They are either influenced by national ideology,or pursue national identity,or write a chapter about the new era of grassland and new human beings.The second chapter discusses the literature dissemination mechanism of the three writers,and outlines the dissemination channels of the three writers’ works.With the changes of the times,the literary communication mechanism of Inner Mongolian literature has been evolving and developing,from initially relying mainly on paper-based literature publications for dissemination,to enhancing the influence of writers through the evaluation mechanism,and then expanding the dissemination channels of works through electronic media in the new media era.The third chapter discusses the continuous evolution of the literary production and dissemination mechanism of the three writers in the inheritance,analyzes the two-way role of the three writers in different media,and the imaginary community constructed by the writers of Inner Mongolia.Minority literature is an important part of contemporary literature,and Inner Mongolian literature is an important part of minority literature.The production and dissemination mechanism of Inner Mongolian literature is of typical significance.The last part is the conclusion.Through the analysis and discussion in the previous part,the characteristics of the literary production and dissemination mechanism of Inner Mongolian literature are refined.The continuous development of the literary production and dissemination mechanism of Inner Mongolian literature has a very high reference for minority literature.From this thesis,we can see more possibilities for the study of the literary production and dissemination mechanism of minority literature,and promote the vigorous development of minority literature. |