Research On The Space Production Of Henan Satellite TV’s ’Chinese Festival’ Series In 2021

In 2021,Henan Satellite TV launched a series of " Chinese Festivals " in response to the prevailing entertainment trend in the society.This program integrates traditional culture into the stage of Chinese traditional festival parties in a novel way,which has aroused strong concern in the society once broadcast.This series of programs has gradually become an excellent example of the combination of traditional culture and festival parties in the past two years,forming artistic products with great cultural characteristics.At the same time,as a kind of space-time art,the exploration of film and television space production is an extremely important research direction.Since the twentieth century,scholars such as Foucault and Lefebvre have gradually proposed the " spatial turn," and since then,the academic community has set off a wave of research on the spatial turn.The emergence and development of media space theory has created a new perspective for film and television research,and has gradually become a bridge between film and television and social culture.This article takes seven works of the 2021 ’ Chinese Festival ’ series as the research object.Apart from the introduction and conclusion of the article,there are five parts.The first part of this article briefly introduces the production background of the ’ Chinese Festival ’ series and its program overview.The second part explores the screen space production of ’ Chinese Festival ’ from the perspective of space theory,and deeply explores the historical background and spiritual connotation of traditional culture.Further explore the story behind the traditional culture in the image through the dialectical blending of material landscape,historical events and spatial imagination.Through research,it is found that the screen space production of the ’Chinese Festival ’ series of programs breaks the solidified emotional tone of the traditional festival party interpretation,and then adopts the form of integration of traditional culture and new era culture to strengthen the pluralistic expression of traditional culture,which in turn reconstructs the traditional cultural space.The third part through the audio-visual language,in-depth analysis of how the film and television through the lens,picture,color,scene and other elements of the film and television space to construct the depth of the three-dimensional sense,to further explore the ’ Chinese festival ’ series of outstanding personalized audio-visual aesthetics.The research shows that the program group produces a film and television space that is consistent with the real space time and space and has emotional metaphor for the audience through the combination of lens,color and music,and the beautiful image of poetry and painting in the picture effectively extends the off-screen space of the screen.At the same time,this program uses advanced information technology as a support.The integration of people and technology has derived a kind of " fixed " space-time aesthetics,which makes the film and television screen present a dreamy realm of technical illusion and physical reality.The fourth part analyzes the social space production outside the screen generated by the real social relationship of the audience in the ’ Chinese Festival ’ from the perspective of spatial media,and studies the mobility and privatization of the viewing space,as well as the change of the communication space between the program group and the audience in the new media era.At the same time,it further analyzes the influence of the change of social space on the spread of the traditional culture of the theme of the party,and concludes that the change of space affects the audience ’s sense of viewing ceremony during the traditional festival,which makes it disappear and reorganize.At the same time,the interconnected virtual space gathers the cultural memory of different private spaces at the same time,making it complete the effective construction of the cultural memory community.The fifth part further extends and explores the common unity of the space production and traditional culture of the ’ Chinese Festival ’ series,and concludes that the program completes the wonderful presentation of traditional culture in film and television through the diachronic interpretation of traditional culture and the diverse aggregation of cultural spirit.At the same time,the space production of ’ Chinese festivals ’ also further promotes the further development of traditional culture in the real space by driving the international promotion of regional cultural tourism and film and television programs.