The Research On Aesthetic Characteristics Of Chinese Dance

Chinese dance means that its content is based on Chinese culture and history and presented multidimensional culture by human body posture. Unceasing developing culture and simultaneous reverse or inside hidden mark that is a kind of accumulation process, though it, the dance art could become the object of appreciation beauty. The imagery of appreciation beauty has two directions, one is a meaning direction, and it concludes deep unconscious level and surface conscious level; the other one is appearance direction, it means the object of appreciation beauty. The object of appreciation beauty can divide into two levels, one is reality level which represents objectivity; the other is visionary level which represents the fictitious object of consciousness and it is important content and organized kinetic energy of appreciation beauty. The kinetic energy relates to Carl Gustav Jung's Collective unconsciousness prototype theory. The flowing out of prototype is a kind of symbolic of infiltration process, and it produces the imagery of appreciation beauty. This is connection with history mark which is hidden or continuously renewed, and it has unconscious energy and function, we calls it is" hidden mark function". Chinese dance in Chinese culture of hidden mark function presents surmounted and integrated capability; its imagery of appreciation beauty remains root of culture and keeps creative development.The folk dance is an art which is on the basis of national culture and blood source. Its development has received severe test in modern times because of contradiction between tradition and innovation; reason and perception, therefore, it is unavoidable to face great predicament on creation. Exist aesthetically of artistic work are produce in annotation explanatory constantly. The dance passes body movements to annotate the natural of art, it is the change existence.The key point of creating fork dance lies in the circle relationship among creator, work and art which are reciprocal causation. This has shown that the nature of art is uncovering and variable. Concerning to explain the art nature of folk dance creating, from the phenomenological uncovering angle of view, The creator should put himself into the annotation of work, and then from the work itself to explain the work in order to avoid the annotation explanatory note of concealing.