"Aesthetic Experience"

One of the major changes of modern aesthetics, is "the aesthetic experience" replace the discussion of "the nature of beauty ","the aesthetic experience" has become the mainstream discourse questions.Esthetics research propositions and structure change accordingly, they often use "aesthetic experience" as the starting point of aesthetic system, or to become a important pivot of all the aesthetic issues."The aesthetic experience" is a broad and vague concept, connotation lack strictly limited, extension is very fuzzy, terms used to call this kind of special experience also are not uniform.As a tolerant greatly, most flexible compound category, the research on it should be more broad, more freedom, if the "aesthetic experience" simplified or confined to a narrow or fixed type is no benefit.Only take aesthetic experience as a form of human culture, also, it is a kind of meaningful experience field in humanity and humanistic spirit, to better understand and interpret the complex question of "aesthetic experience".This research ideas and academic goals are mainly embodied in two aspects.First,"discuss what is aesthetic experience ". Back to traditional Chinese and western aesthetics to search the rich resource of theory.By analyzing the historical evolvement theory of western aesthetic experience and Chinese aesthetic experience theory, to find aesthetic experience evolution in the history and logic category, and based on "aesthetic experience" category make its own interpretation and meaning.Second,"based on the contemporary, based on the present", to study active aesthetic experience.Combine the aesthetic experience research, the problems put forward by realistic environment and practical life, experience new characteristics, new change, new problems and new construction in rich aesthetic practice experience; and try to use aesthetic experience as the theoretical tool, to analysis related theory and realistic problem.On the choice of the problem, this paper always seize the aesthetic experience from abstraction-specific-diversity; With distance by separate quietly to the active participation of intervention; Self-discipline, not by utilitarian, narrow, limited steering heteronomy, multivariate, practical, day-to-day, that is a change characteristic.No interest, contemplation of the end of aesthetic experience, and open, multi-cultural, rich, continuous, transcend the reconstruction of the aesthetic experience that such a change; And with the compound aesthetic experience as a clue.Choose the aesthetic experience with science and technology, market economy, public domain, ecology, literary arts such several more representative significance dimension to the more broad vision to research the dialogue between interactive relationship of the aesthetic subjects, between subject and object, subject and life world, to show the end and reopened of the aesthetic experience in the contemporary social environment.This article is divided into six chapters.Chapter one:"aesthetic experience" category probing. This chapter comb "experience" basic and extended representative meaning. And let "aesthetic experience" concept definition list and analysis.Then the western aesthetic experience of the historical evolvement of the theory and the theory of Chinese aesthetic experience traditions are summarized. In the third quarter of this chapter, based on the analysis of the above, from five levels and dimensions to describe basic regularity of "aesthetic experience"This chapter puts forward, western aesthetic experience category proposed roughly experience from psychology analysis-pragmatism description and phenomenological reductive-analysis linguistics critical-new pragmatism restoration and postmodern interpretation, it is such a construction, development, deconstruction and reconstruction of the long and tortuous development process.Different from the traditional western aesthetics, Chinese aesthetics rare have pure metaphysical questioning of "aesthetic experience", but instead of a type of art experience with depicting and exposition.Many Chinese classical aesthetics concept and category refining, are based on detailed art works of experience and feeling; Super utility, self-discipline of "aesthetic experience" category originated in the early part of the20th century Chinese esthetics thought;The aesthetic experience characteristics and psychological mechanism problem, had become the important theme of Chinese aesthetics in the1930s; aesthetic discussion in the middle of the twentieth century, strong social utility of aesthetic experience theory was popular, aesthetic experience issues were narrowed to beauty problem, simple materialism epistemology and the theory of reflection problem; Aesthetic experience research is based on the theory, it presents the construction of systematism of aesthetic characteristics, their new opinions based on "beauty is the product of social practice".Late20th century, the aesthetic experience research has shown open, pervasive and compatible modern form. The aesthetic experience is enriched and constructed by the basis between subjects and subjects, subjects and objects, subjects and life world mutual communication, and have relative stability experience form.From the structure, cultural connotation, personality traits, the formation of context, meaning value dimension,"aesthetic experience" has the form of transcendence, connotation of inclusiveness, personality on the integrated, context of interactivity, future of the value essence.Chapter two:aesthetic experience and market economy of marriage and struggle.This chapter through the analysis of the current aesthetic experience context; and further reveals aesthetic experience paradox type implementation and the important aesthetic experience turns of consumer society; Finally through the development of "body industry","the experience economy","fashion industry" to reveal aesthetic experience of modernity horizon to internal adjustment effect of the market economic operation.This chapter puts forward, the aesthetic experience is unable to avoid "market economy" such a grand and realistic background, aesthetic culture not only cannot get rid of involvement with market economy, and can often be operated by market and entered through daily life. While "aesthetic experience" rise a new steering in the market principle and modernity capital logic context, it presents extremely internal complex interaction with social economic operation.The aesthetic experience properties have fundamentally changed, shown the orgiastic pleasure with visual experience, desire experience;"homogeneous isomorphism","synchronic generation" standardized experience; Materialism and utility of reality perception experience; the body height input intervention experience.The aesthetic experience to the market economy and its operation is not inaction, but by utilitarian infiltrating into the aesthetic economy, beyond the utilitarian aesthetic experience be the realization of important commodity value media, indirect bring economic, social and cultural benefits.Chapter three: aesthetic experience and modern science and technology double construction.This chapter focuses on the aesthetic and science in new contexts and construction of scientific basis level of aesthetic experience; The authors describe the aesthetic experience of the scientific guidance function, science and technology development of aesthetic experience form mode, the impact of present characteristics; and points out the paradoxical association between the aesthetic experience with science and technology.This chapter puts forward, aesthetic and science problem-which is faced with the new context that traditional division of cognitive areas and the aesthetic field is gradually overcome,"difference" defined by humanities aesthetic and natural science boundaries principle are undercutting. The aesthetic experience is precisely relies on its bidirectional and communication properties become communication bridge. Science is, aesthetic experience of more than people expected with powerful psychological function, cultural function, epistemology and methodology. The aesthetic experience into the science as the most direct "scientific aesthetic feeling".The aesthetic experience as scientific rationality and aesthetic sensibility’s converge, not only leads cognitive mechanism, and becomes the impetus deep motivation of scientific development; Not only the scientific research subject psychological structure completed, and provided by the main channel of science to aesthetic auxiliary standard and scientific evaluation. Along with the development of digital media technology, technological progress, the human aesthetic experience is being guide to an infinite a wide variety of new realm.The openness of modern science and technology bring aesthetic experience freedom of the infinite; Modern technology modular architecture bring aesthetic experience overall form sense of deconstruction; Modern technology automatization dealing bring aesthetic experience interactivity; Numerical value of modern science and technology brings the aesthetic experience presented to the virtual and the like; Modern technology mode of transmission of evolution to bring the transformation of aesthetic experience..Modern science has deepened, promoted the aesthetic experience side, and a rejection and disenchanted aesthetic experience side. The modern science and technology’s more colorful and aesthetic experience of assimilation; Modern technology’s reinforcement and the aesthetic experience degradation; Modern technology’s control and the aesthetic experience tolerance phenomenon exist.Chapter four:aesthetic experience and aesthetic changes of public domain.This chapter choose "public domain" as analytical category, on the one hand into the public domain, to study reality and active aesthetic experience.On the other hand, from the perspective of aesthetic experience public domain features and structure evolution, communication function and realistic existence way, aims to seek the interactive relationship between development of aesthetic experience and public domain changes.This chapter puts forward, The "aesthetic experience" and "public domain" are unrelated concepts. With the development of modern society, the information revolution and the globalization trend, their inner link, path’integration is possible. As a open, free and equal, rational argument, harmonious communication social places, public domain exerts a subtle influence on the formation and development of aesthetic experience. The aesthetic experience also contributs to the construction and development of public domain, it is a interactive process.This chapter analyze the direction of research, the universality of the factors existence and constitute of "public domain "; And put forward "aesthetic public sphere" concept, take it as a kind of aesthetic community——ideal of freedom and harmony, organic consistency rational of criticism and emotional expression.Then the paper analyzes the formation and development process of aesthetic experience in public domain, the paper analyzes the social similarities of aesthetic experience is public domain psychological ties; The aesthetic experience social contacts, dialogism is the base of public opinion and exchange consensus; The aesthetic experience openness is diversified aesthetic platform of domain pluralistic. Finally, this chapter painted the transformation of aesthetic experience and diverse picture of public domain, to understand from the angle of the aesthetic experience to present displacement model of public domain; Private and public sector intertwine not clear; The formation of a global culture public areas; And " true resembles " public domain,"false" public domain tendency.Chapter five:aesthetic experience and ecological aesthetic steering.This chapter to people and ecology "equality of symbiosis " aesthetic relations as the core, through in-depth analysis deep structure of aesthetic experience, from the aesthetic experience of the entirety, organic relationships, process characteristics to grasp the ecological beauty.From the perspective of aesthetic experience, paper analysis some aesthetic ecology steering turning reasons, the main contents are to check ecology steering; Explore people’s aesthetic experience from respects conformed and embody the ecological movement basic position and the ultimate point, and prospect human aesthetic glorious survival prospects.This chapter puts forward, Ecological question and caring becomes a kind of new model to understand the world. From the perspective of aesthetic experience to the ecological steering research is a meaningful attempt.The aesthetic experience reveals the most profound and most intimate relations of the human and the natural world. Ecological aesthetic attaches great importance to the human primal experience and nature ecological aesthetics. Experience’ affinity, the organic, compossibility, integrity, accumulating features, such features are all reflected in aesthetic experience. Ecological aesthetic experience, not only have advocated and construct important theoretical, also has the obvious practical significance. It not only becomes an important channel of aesthetics’impact to the contemporary social reality, but also becomes key bridge of ecology ideological’ impact to people’s aesthetic ideas.Ecological aesthetic experience from angle of man and the reality aesthetic relations, and focus on the the ecological effect resulted from man and nature, man and environment relations, reflects life relevance and life empathy of people and the natural.Aesthetic experience correspondence with natural has construction and dissolution coexist power, ecology view of natural influenced by the aesthetic experience also experienced course from separate epistemology aesthetic experience to intervention existence aesthetic experience. Ecological aesthetic experience also leads people aesthetic survival, on the one hand, it performant man and nature harmonious; On the other hand,it express "harmony" of people and the world relationship.How to construct the human spirit home, to realize "poetically", get the aesthetic transcendence and sublimation, is the original meaning of ecological aesthetics, is the essence of aesthetic experience.Chapter six:aesthetic experience with literature and art.This chapter study the characteristics and role of aesthetic experience in the literary and artistic creation, literary accept, literary criticism, and to explore the basic relations with the aesthetic experience and literature phenomenon; Then it analyzes the technological progress and the market expansion, the aesthetic experience produce major effect to literature and art; Finally to network literature, best-selling phenomenon, ecological literature as a case study, discusses the aesthetic experience in a "postmodern" of the different art style with the abundant connotations and unique literary significance.This chapter puts forward, all the aesthetic experience is discussed, finally are mostly gathered to literary and artistic creation and appreciation activity, The aesthetic experience that only embodied in the text of literature and art can get extremely rugged case and have a strong and lasting influence to the world.literary and artistic creation and accept process studies mostly can reveal the connotation and features of aesthetic experience.In the literature and art practice, the aesthetic experience reflects and governs aesthetic subjects and accepting object, it has the function of "before the understanding","filter","evaluation benchmarking". Artists in the art process, will always bring aesthetic cultural and custom orientation of certain peculiar social relations, aesthetic attitude towards life and aesthetic experience, aesthetic feeling and naturally into his creation.Similarly, literary accept to aesthetic experience also have the corresponding requirement, because the meaning of literary works is through the receiver’s experience to achieve the reduction. In the specific link of art criticism, aesthetic experience directly becomes an object of criticism, and for literary aesthetic criticism with unique evaluation standard and judgment criterion. The aesthetic experience and the interaction of literature and art reality ecosystem mainly embodied in the following aspects: aesthetic experience of diversification, visualizations, and castes, makes literary creation from the close to the open, from the society toward the body, from meditation to watch, from aesthetic to market.The aesthetic experience is a strong category of epoch features. In the former modernity, modernity and postmodernity intermingling of today’s society, the aesthetic experience reflects the fresh and complex characteristics, it not only reflects the aesthetic subjects presentation changes, also subtly changes the traditional pattern of literature and art, spawns a new literary and artistic style.Network literature, best-selling phenomenon, ecological literature and literary style shows obvious characteristics of postmodernism. Aesthetic experience also reflects refreshing characteristics. An era of aesthetic experience reflects an era literary aesthetic meteorological, also it can herald and limit the future development of literature.