A Study On The Acceptance Of Wen Xin Diao Long In The Qing Dynasty

In the Qing Dynasty,Wen Xin Diao Long was accepted for a long time,with a wide range of contents,a large number of individuals and colorful discourse forms.Compared with the acceptance of Wen Xin Diao Long in other dynasties,the Qing Dynasty is a period of rich acceptance forms,fruitful acceptance achievements and diverse acceptance perspectives.The acceptance of Wen Xin Diao Long by poetics and literary theory in the Qing Dynasty involves the hub of literature,style theory,creation theory,criticism theory and so on.In short,Wen Xin Diao Long participated in the construction process of artistic discourse system such as poetic theory and literary theory in the Qing Dynasty.In the poetics and literary theory of the Qing Dynasty,multidimensional acceptance of the model of Wen Xin Diao Long,rich and modest poetic theory,Tang Biao’s Reading Composition Spectrum,Ye Xie’s Original Poetry,Yuan Mei’s SuiYuan Poetry,etc.Others,such as Li Yu and Xu Zeng,have selective and partial acceptance of the discourse system of Wen Xin Diao Long.If we say that the acceptance of literary heart and Carving Dragon by poetry and literary theory in the Qing Dynasty is a "clear line",then the acceptance of literary heart and Carving Dragon by book theory,painting theory and music theory in the Qing Dynasty is a "dark line".Although the acceptance of Wen Xin Diao Long by calligraphy Theory and music theory in the Qing Dynasty is sporadic and widely distributed,it also involves many aspects of Wen Xin Diao Long,such as the hub of literature,style theory,creation theory and criticism.Different from the sporadic and fragmented acceptance of Wen Xin Diao Long by the calligraphy theory and music theory in the Qing Dynasty,the acceptance of Wen Xin Diao Long by the painting theory in the Qing Dynasty has more concentrated theoretical achievements and diverse acceptance modes.For example,Zhang Geng’s Pu Shan Lun Hua,Tang Dai’s Hui Shi Fa Wei,Shen Zongqian’s Jie Zhou Xue Hua Bian,Fang Xun’s Shan Jing Ju Hua Lun,and Songnian’s Yi Yuan Lun Hua,there are various acceptance modes for Wen Xin Diao Long,such as single absorption,local acceptance,extensive learning,multi-level adoption,multiple imitation and so on.The acceptance of Wen Xin Diao Long by poetics,literary theory,calligraphy theory,painting theory and music theory in the Qing Dynasty can be described as an "indirect"theoretical acceptance.The Qing people also interpreted and studied WenXin,which belongs to the form of "direct" acceptance.From the research level,Tan Xian and others’ attention to the nature of Wen Xin Diao Long,Huang Shulin’s annotation and evaluation of Wen Xin Diao Long,Ji Xiaolan’s exploration of Wen Xin Diao Long,and Zhang Xuecheng’s comments on Wen Xin Diao Long are very important and distinctive.In addition,the Qing people’s interpretation of Wen Xin Diao Long also has a multi-dimensional vision and conscious research methods.Under the guidance of the spirit of Liu Xie’s Wen Xin Diao Long,the acceptance group in the Qing Dynasty observed the times,grasped the reality,and created a discourse mode and structural form in line with the current characteristics and with distinct problem consciousness.The research and interpretation of Wen Xin Diao Long in the Qing Dynasty developed in parallel with the acceptance of Wen Xin Diao Long by poetry,literature,calligraphy,painting and music in the Qing Dynasty,showing a pluralistic and coexisting acceptance trend.They jointly forged the classic road of Wen Xin Diao Long.The reasons for the prosperity of the acceptance of Wen Xin Diao Long in the Qing Dynasty are:firstly,the prevalence of "textual research" in the Qing Dynasty and the booming trend of parallel prose creation;secondly,it is attributed to the uniqueness of the discourse system of Wen Xin Diao Long.In addition,it is also closely related to the ideological tendency of Confucianism in Wen Xin Diao Long.The Qing Dynasty’s Wen Xin Diao Long accepted,inherited the past and opened up the future.Its value in the history of "dragon learning" is mainly reflected in the following aspects.First,the Qing people’s views on the nature of Wen Xin Diao Long are more in line with the true face of the book.Wen Xin Diao Long is not only a writing guide,but also a cultural work with thousands of images.The view of this "nature" was gradually formed in the Qing Dynasty.Second,the annotation and exploration of the Qing Dynasty’s Wen Xin Diao Long made a great contribution to the modern "dragon study".Huang Shulin’s annotation plays an important role in laying an academic foundation in the history of "dragon studies".The views of the Qing people on the theoretical system of Wen Xin Diao Long and the discussion on the completion date of Wen Xin Diao Long have a far-reaching impact on later scholars.Thirdly,the research method of Wen Xin Diao Long by the Qing Dynasty inspired the "dragon study"of later generations.Specifically,the Qing people are good at using the "comparative method"to make a subtle interpretation of the Wen Xin Diao Long,which provides a useful academic enlightenment for the development of modern "dragon learning".Fourth,the multi-dimensional vision of the Qing people’s Wen Xin Diao Long is worth pondering.Or focus on the elegant rhetoric of Wen Xin Diao Long,or talk about the status and influence of Wen Xin Diao Long in the history of Chinese culture.It is worth pointing out that there are also deficiencies in the acceptance of Wen Xin Diao Long in the Qing Dynasty.For example,the views of the Qing people on some issues,such as art ontology,art conception,art style and art appreciation,did not exceed the theoretical height of Wen Xin Diao Long.To some extent,this is a pity.From the moment of its birth,Wen Xin Diao Long has obtained the discourse mode and structural form of "being thoughtful".However,it should be pointed out that this structural form is both "eternal" and "developmental".Poetry theory,literary theory,calligraphy theory,painting theory and music theory in the Qing Dynasty still activate the literary heart and Carving Dragons in another form of repetition,derivation and variation.After Liu Xie,with the development of the times and the prosperity of literature and art,the Qing Dynasty gradually developed a new theoretical system and literary ideas on the basis of Wen Xin Diao Long.However,the latter is either included and absorbed by the matrix discourse system structure of literary theory,or exists and develops as its supplement,expansion and derivative structure.Wen Xin Diao Long,a "symbol" of Chinese literary theory,has gradually penetrated into the minds,hearts,concepts and emotions of intellectuals in the Qing Dynasty,and has become their literary criticism weapon and guiding principle.Whenever they face the literary and artistic situation and reality of the times,Wen Xin Diao Long is often resurrected and reborn.Draw wisdom from the long history of Wen Xin Diao Long accepted in the Qing Dynasty,realize the combination of Chinese literary theory and Chinese literature and art,and the unity of Chinese theory and Chinese practice,strive to realize”"making the past serve the present",focus on the original face of Wen Xin Diao Long,and re-examine and evaluate this thoughtful theoretical masterpiece from the perspective of Chinese poetry,Through the creation,criticism and appreciation of calligraphy and painting,it helps to make Wen Xin Diao Long glow with contemporary charm and light.In addition,the research vision of "dragon study" in recent 100 years is mostly limited to the perspective of "literature and art".It is not only difficult to deeply explore the original appearance of the acceptance of Wen Xin Diao Long,but also not conducive to the in-depth promotion and broad development of the research of Wen Xin Diao Long.Therefore,researchers must expand their research horizons,strive to sort out the literature materials,especially the vast amount of artistic theoretical materials,and gradually clarify the acceptance of Wen Xin Diao Long in future generations,especially pay special attention to the acceptance of Wen Xin Diao Long by artists such as calligraphy and painting.Then,some difficult problems of "dragon learning" may be solved easily.The interdisciplinary study of "carving the dragon" provides another important enlightenment for the interdisciplinary study of "carving the dragon" in the Qing Dynasty.In fact,among modern scholars,there are also those who inherit the achievements of Wen Xin Diao Long in the Qing Dynasty.For example,Mr.Fu Gengsheng’s academic research can be divided into before the founding of the people’s Republic of China and after the founding of the people’s Republic of China.Academic circles pay more attention to Du Fu’s research after the founding of the people’s Republic of China,but relatively ignore and underestimate his "dragon study" achievements before the founding of the people’s Republic of China.Mr.Fu is one of the representative figures of "dragon study" before the founding of the people’s Republic of China,and has made great contributions to the development of modern "dragon study".Mr.Fu’s works,such as general theory of Chinese literary criticism,examples of Chinese literary appreciation and Fanfan of Chinese literary appreciation,not only provide innovative interpretation of Wen Xin Diao Long at the critical level,but also create and draw lessons from the "intertextuality" level,such as sentence quotation,word mosaic,title parody and ideological attack.It can be said that this was influenced by the acceptance of Wen Xin Diao Long in the Qing Dynasty.The academic tradition handed down from generation to generation and the academic path connecting China and the West are an important guarantee for Mr.Fu Gengsheng’s achievements in "dragon studies".Exploring its academic characteristics of combining theory with practice and paying equal attention to research and application is also conducive to developing the academic research space of Wen Xin Diao Long.At the same time,Liu Xie and his Wen Xin Diao Long were despised and ignored;During the Tang,song and Yuan Dynasties,the reputation of Wen Xin Diao Long has improved,which is a period of "struggle","cry" and "battle" on the eve of classics;The Ming and Qing dynasties can be described as the "development period" and "prosperity period"accepted by Wen Xin Diao Long.The classic process of Wen Xin Diao Long is tortuous and complex,not linear.The historical status of Wen Xin Diao Long is not static,but moving and developing.Throughout the acceptance history of Wen Xin Diao Long in the Qing Dynasty,whether the group belittles it or praises it,it has always stood like a monument in the history of Chinese literary theory and become a unique existence.Whether the recipient likes it or not,this is a historical and realistic existence.In a word,the Qing people’s acceptance of Wen Xin Diao Long can be described as all-round,wide field and multi-level.The Qing Dynasty is an important period of development,breakthrough and prosperity in the history of the acceptance of Wen Xin Diao Long.