| Combined with the politics, economics, culture, all kinds of literature and social thoughts in Tang Dynasty, this article has studied the acceptance of Wenxindiaolong in Tang Dynasty meticulously and comprehensively and regarded the development and changes of literary theory in the whole dynasty as the main clue from the perspective of acceptance. Thus, the writer attempts to summarize the accepting characteristics of Wenxindiaolong to the literary theory in Tang Dynasty and explains the theoretical value significance of Wenxindiaolong in the development and change of the literary theory in Tang Dynasty to re-examine the significance and value of the classic. The acceptance situation of the Wenxindiaolong could be seized by the ways of macroscopic and microscopic methods. In the macroscopic aspect, the writer mainly integrates the various literary atmospheres, literary ideological trend of the literature in Tang Dynasty under the era background of social and historical development and the great cultural background of uniting the three religions-Confucianism, Buddhism and Taoism -into one in Tang Dynasty. The varied focus on cultural trends in different cultural periods relate to the acceptance of Wenxindiaolong. In the microscopic aspect, according to the accomplish theorists’life experiences, cultural conservation, academic achievements, the relation between the representative works and Wenxindiaolong has been analyzed and studied meticulously and comprehensively in order to attempt to summarize and explain the major acceptance rules such as the main features and main content of acceptance in Tang Dynasty. The essay is divided into three chapters.In Chapter One, the acceptance of the Carving of the Dragon, has been discussed in the beginning of the Tang Dynasty.This exhibits two characteristics. On one hand, the acceptance of the text of laws of Wenxindiaolong focuses on the acceptance of the beauty of the text features focusing on the literary formal aspect in Wenxin imitated by man of letters in the poems, such as the rhythm, antithesis, rhetorical devices and so on. On the other hand, it shows the acceptance of the theoretical connotation of eclecticism during the integration process of the north and south style. It attaches most importance to the acceptance of literary ideology of the combination of nature and scholarship in the Carving of the Dragon revealed from the problems of integration of north and south styles in the process of reviving the literary style by four outstanding persons in early Tang and Chen Ziang and compiling history by the historians in Tang Dynasty. the theory heritage of critical terms in "Wenxindiaolong" is mainly distributed in the individual writer’s respective literary theory in the flourishing Tang Dynasty. The discussion and other opinionsstrength of character "He Yue Ying Ling Ji" in the Through sophisticated analysis and demonstration of its origin, detailed comparison of the results of its Acceptance.Chapter 2:Focusing on the acceptance of late tang Dynasty. in two characteristics:First, reformers of literature concerned with the reality of life in the ideological content of absorption. Second, for those making a fuss about escapism poetics and literary style of the law theory accepted. When the late Tang dynasty has been badly hit because Don Rebellion, political form in relation to a significant decline in the early Tang Dynasty, so save the disadvantages when it has been re-integrated into the main social thought. At this point appeared to realism as the leading New Conservatory movement and classical movement. The two major literary movement extends to social movements also focused on a hub of "case by"and "sign Holy" In addition to the literature itself facing social concerns aspects have to accept the reality of life. The main representative of Han Yu, Liu as the forerunner of the classical movement, Baijuyi for New Conservatory movement representatives and Pirixiu, Guimeng Spirit inheritance. Through a comparative study of its main poetic thought and "Wenxindiaolong"literary idea to analyze those of the late Tang Poetry’s Acceptance and development.Chapter 3:Summarize the acceptance characteristics the whole literary theorists of the Tang Dynasty. That did not formally accept the system, but on the individual literary thought.confined to individual comments quoted discourse and fragmentary. The literary style is divided into different sections of this split of exhaustive specific literature, advancing to the period of the Tang Dynasty literature requirements monolithic The mood muddy thaw, Xing like exquisite aesthetic. It follows that in the history of literary theory is constantly in the process of developing inherited accept. |