| Humor, which is the aesthetic category of literature, should be one of the fundamental characters. As an integral part of Chinese literature, one of China's children's literatures, humor is an indispensable natural aesthetic pursuit. On the background of the development of China's children literature, this thesis is based on the humorous children's literature works generated by the representative writers. It sorts out the overview development of China's humorous children's literature on the basis of text interpretation and sums up the background, aesthetic characteristics of China's humorous children literature in different periods. The thesis aims at showing the evolution and development of China humorous children's literature in the combination of the text and theory, and also tries to find its drawbacks, conclude causes and look forward to its future.In this paper, the overall development of China children's literature serve as a background and it is divided into three periods, namely Jiangxi Lushan Conference in 1978 before the 20th century and 20th century,80 years now since the 90's. For each time period for their own chapter. The first chapter, Jiangxi Lushan Conference in 1978 before, the liberators of China's children at this time do not realize the significance of humor for children's literature. From 1920s to 1930s, Zhang Tianyi who created China's earliest humorous children literature works, comprehend the humor as "trueness". In 1950s and1960s, China children's literature came to era of the educational tools. Educational became the most important guidelines and standards for the children's literature writers creating and the theories judge merits of the works, at this time, humor prove to the means for the writers to convey educational intentions. Humor in China children's literature before 1978 is suppressed and bound. In the second chapter, China children's literature sends a representative with fun fairy tale. Zheng Yuanjie, Peng Yi, Zhou Rui and Ge Bing's fairy tales change the situation that China children's literature attends importance to sermonize, preach。They created an absurd fantasy world by means of imagination, exaggeration and deformation, to make the children readers feel like being in the game. The works'humorous effect should be unique, which also highlights the valuable spirit of the game. However, the lively tales of humor also has its own defects, the Chinese liberator's understanding of the humor is still one--sided, chaotic. Humor is in transition. In the third chapter, China children's literature has broken through and gradually been on the way to the awareness and consciousness since 1990s. This thesis analyzes and discusses the progress and concern that China humorous children's literature has made and faced since 1990's in terms of the artistic expression, humanistic care and adscription.According to the above analytical framework, this thesis, based on the text detailed reading, does a clear comb to the development of China humourous children's literature. Unlike traditional combing phenomenon of literary history, this thesis uses induction, deduction, comprehensive analysis methods to analyze the phenomenon, sum up the causes and outlines the development and evolution of China humorous children's literature. It tries to reveal the literary phenomenon and conceal the nature of the law, which not only fills the gap of the development of china humorous children's literature but also do the research on the aesthetic connotation, expression and adscription as my capability allows. I really look forward that this study can be used for reference for creation of China children's literature!...
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