| The sitcom is a TV genre derived from America 13 years ago. It's getting more and more popular and attracting large audience. So the author regard the sitcom as a TV genre with great researching value.The sitcom is produced through many progress such as writing play book, perform, montage, and comedies made up of several factors, just like the story, the dialogue, scenario and so on. So the objective of this article is the producing experience and skills as well as the shortage of Chinese situation comedy. What's more, the valuable advice is also the aim of this article. The text of this article is composed of five parts.Firstly, it offers the information how sitcom became a popular genre in America, what's the characteristic and how about Chinese situation comedy. Secondly, it tries to find out what's the narrative strategy of Chinese sitcom. There're three viewpoints: simplifying theme and daily story, unexpected and reasonable individual relations, cycling and opening narrative structure.Thirdly, the creating principle on comedic character is discussed. After introducing the cast of sitcom, the article shows the answer on the base of the theory about Ugly but Evilless and Split Personality. Fourthly, the form of the sitcom is discussed. It indicates the scene audience, Box Laff and the beginning & ending segment mean what, making use of the 4th Wall, Segregating Effect and Dionysia theory.Fifthly, success and failure about Chinese sitcom is elucidated. In this part the author draw the conclusion we have made great achievement in comedic situation and language. It is a pity that the sense of humor is always absence.At last, the author foresees the future of the Chinese sitcom on the base of the five above parts. The author reaches her conclusion that there's much space but it will spend a long time to cultivate the Chinese humor culture. |