The Manifestation Of Chinese Classical Lyric Tradition In Television Poem Prose

With the modernization of Chinese civilization, Chinese classical lyric tradition is being marginalized . The narrative style of novel ,drama and film fully develops . On one hand, this is the result of the western influence on the Chinese literature and arts. On the other hand, it is related to the appearance and development of new mass media—telecasting . How Chinese classical lyric tradition , which is closely related to personal feelings and lives, obtains new lives in the mass media is not only related the problem of carrying forward traditional culture , but also the problem of Chinese maintaining the eastern way of expressing their feelings. Therefore, the narrative style of TV play, documentary film gains absolute advantage on television, but television station , especially CCTV still remains a part of precious time for the lyric style, and obtain audience fidelity and favorable comment. This is based on the profound national culture and disposition . As a special televion style, it's necessary to study how"televion poem prose"emerges ,develops and changes, and the peculiarity of its stylistic feature, audio-visual elements, acception and feedbacks.The narrative of this thesis concentrates on the relationships between Chinese classical lyric tradition and modern"television poem prose". As a special form of contemporay Chinese culture, it tries to explain how"televion poem prose"undertakes the responsibility of continuing and displaying the marginalized lyric tradition through discussion of certain traits and manifestation of Chinese classical lyric tradition , and how it satisfies the liric demands of the Chinese audience through the choice ,processing of poem prose version . This thesis combines parts of"popular culture"of mass media with the"refined culture"of chinese classical aesthetices , and focuses on the analysis of the essence and manifestation of the impotant combined version . It uses the basic concepts and thoughts of chinese classical aesthetics to analyze the utterance expessions of modern media. Generally speaking, it is a new attempt of the modern appliacation of Chinese classical aesthetices ,and a classical return of modern media. This thesis centres on the three following subjects .1.As theoretical basis of thesis study , how to discuss the formation , features and manifestation of Chinese classical lyric tradition becomes very important basis.2. As reality significance of thesis study, how to discuss the special position , manifestation and role of televion poem prose in the contemporary lyric utterrances becomes the logical part of proposition.3. The analysis of culture and reality reason of appearance of television lyric style In China , and the analysis of emotional essence and manifestation of"television poem prose".become the main content of the thesis.