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See The Small In The Large, Light Close By Home Thousands Of Miles

Posted on:2011-04-11Degree:MasterType:Thesis
Country:ChinaCandidate:Z G DuanFull Text:PDF
GTID:2155360305976863Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Early Qing Dynasty landscape painting altar, because the ruler's political needs and personal preferences, Dong Qichang academic successor to Wang Shimin, Wang Jian, Wang Hui, Wang Yuan, Wang Qi, represented by four orthodox school of painting is seen as the art world.Among these, as the grandson of Wang Shih-min Wang of the original source of Qijia school, career magnanimous by Emperor Kangxi's darling, a position of respect.Their study painting with Dong Qichang's "North-South were" theory as a guide, in accordance with the teachings of his grandfather, from the Song and Yuan masters techniques to start learning, lifelong learning traditions, especially for Huang Gongwang hard most of the painting.In his later years also obsessed with Wang Yuan Qi Zhen-ink method, in-depth study tradition, Wang Yuan Qi be able to learn the technology in all, the works have maintained their own unique insights and distinct personality, the formation of muddy Run Cang Mang, Seiitsu the sophistication of the arts style.Wang Yuan Qi life, his pen stopped working, creative quite good. Survive in the world in its many works, landscape painting album occupies a very important ratio.Wang Yuan Qi from the inscriptions in his works and other related historical materials, you can understand that treatment of Wang Yuan Qi album created a special feeling.From youth to study painting, that album beginning Huanyou before the grandfather Wang Shimin also make a set of books devoted to its pages, will urge his players to carry, day and night reading.Its should be about friends made by the album, often lengthy, painstaking efforts.Throughout the album Wang Yuan Qi paintings, a consistent adherence to instill Dong Qichang "North-South were" theory, in order to specifically study Nanzong painters, in particular, rely on yuan 4. Often a set of volumes page, select each piece of the page 1-2 worthies style clinical ink painters imitated. Through the carrier of this particular album, reaching 100 ink casting the essence of learning objectives.In the Wang Yuan Qi of the album, though are copying each piece of work, follow the example of the inscriptions, but the in-depth analysis, always revealing Wang Yuan Qi own strong characteristics.From the composition point of view, album art is limited because of their size, often to the corner piece, Brisk surplus while the abundance enriched insufficient Wang Yuan Qi its original "Dragon said," The introduction of album paintings, making the page is small, but the actual situation properly, the main times orderly, not only tying the feeling there is no congestion, but open Kuang Yuan, and the outside of painting, lasting and pleasant impression;In the pen with ink, the Wang Yuan Qi skill Shenzhan not let the ancients, with their own vaunted Biduan a vajra, descendants of this assessment are that is not too much,Wang Yuan Qi that the pen is required to "gross" shall "Shibuya," a theory in his book that this page is fully expresses, album because of its size small, tasting their advantages and disadvantages when demand is exceptionally fine ink pen works wonderful, but Wang Yuan Qi well versed in this channel to the dry pen light ink, painting clouds of stone tree, pen pen withstand the scrutiny of people everywhere should be interesting;Qi Wang of the original album art, the use of color is one of the features of its prominence, Wang Yuan Qi dynasties Nanzong famous name of the role of drawing the essence of color and bold innovation on this basis, a change the old law, wrinkle rub Dianran alternating reached a color do not obstruct ink, color ink does not hinder artistic effect, colors, and the Ching Ming-yan, full of quaint tenderness of literati painting.Ming and Qing dynasties, China's most prosperous landscape album creation, especially in the Qing Dynasty, school of painting everywhere, many masters.Wang Yuan Qi albums albums with other representative works of similar comparative analysis we can better appreciate different from the one in the black ink Wang Yuan Qi temperament.Wang Yuan Qi Dong Qichang his spiritual mentor of the album compared to the original Qi and Wang Dong's Seiitsu thick, Dong to play literati ink painting, there is shortage of more than the rate of perverse of the Department, and Wang Yuan Qi Chong and plain, write careful and precise, without any rough areas. In the same vein as the Southern Sect is a four-Wang school of painting, Wang Yuan Qi Although the youngest, but it is recognized by excel.In the album creation, Wang Shimin's vigorous, Wang Jian and Wang Valley of the delicate features of the work fine though wins each, but artistic originality and overall ability to run, still slightly inferior to Wang Yuan Qi. With the four wild-Yi Wang rival school of painting, the most in order to be the world acclaimed album creation of Shi Tao, outstanding talent, personality distinct to album as a platform to bring creativity into spirit.His works fine strange strange, surprising. Although the subject of the North-South were Dong Qichang theory of impact, but the introverted and Wang Yuan Qi implicitly compared to the unrestrained majestic huge difference, the two works can be described as positive and negative poles and together they created a Chinese landscape painting peak album. Another Jinling Gong Xian album works, make good use of the plot ink, there is solemn and quiet beauty of the deep, in the classical Wang Yuan Qi another way other than the United States, especially valuable.Chinese landscape painting in the contemporary, showing a diverse situation. The endless variety of concepts and techniques, people dizzying,The traditional album art, because the visual impact of the weak and appreciation of artists who have been increasingly forgotten.In the crowded landscape of today's altar, Op size is growing, while painting in the cultural and technical level but does not match with it. In contrast, Wang Qi's album of the original works, small in the see the great artistic charm with Time.Precisely in its creative approach to traditional landscape painting album Gejia techniques in the summary nature of its highly polished beauty of pen and ink, and the works contain a unique aesthetic ideas are worth studying and learning. To re-examine the traditional, re-face the tradition of classical works, which greatly impressive, promising.
Keywords/Search Tags:Wang Yuan Qi, Album, Traditional Landscape Painting, Small in the large
PDF Full Text Request
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