Buddhism And The Mind Of The Book

This paper based on Huang Tingjian’s effect on explaining the Buddhist thought of calligraphe r.The Song Dynasty was a period of China culture.which was relatively mature and closely related t o Buddhism fusion.Many scholars were studying Zen Buddhism, therefore the influence of Buddhis m penetrated into all fields of thoughts and culture. Huang Tingjian was atypical representative of t he culture of song dynasty.By studying about huang’s poetry,writing and comments on book,this pa ssage explains his disposition thoroughly and then discusses what affects his mind when he made hi s choices about life and did art creation by Buddhism thought.In this paper, the body is divided into three chapters except the introduction and onclusion.The first chapter briefly analyzes the development of Buddhism, the survival condition of huang tingjian and the background of zen’s studying. Through talking about zen with monks as we 11 as the contemporary literati, he finally make his art theory and creation absorb the disposition of anddrunkenness thought, which made its artistic beauty.The second chapter discussed how anddrunkenness thoughts influenced the huang tingjian’ cal ligraphy theory, respectively from four aspects:its application and cannot, rhyme and avoiding vulg ar, meaning the ShuLun ideas, phantom and empty. These ShuLun views are derived from his own mind and solid meditation practice.The third chapter describes the impact of Buddhism on Huang Ting calligraphy, discussing Hu ang Ting book as a "vow text" "Kegon sparse volume" "Zhu Theravada Tie" "Postscript Tau ming h eart" and so on for Zen study and understanding of the content and Prose after writing state.In a word, this paper tries to research for Huang Tingjian in the art of calligraphy from the perspective of Buddhist Inwardness Ideology.This article is the influence to Song dynasty Tingjian Huang as an example to explain the Buddhist thought of calligrapher mind’s generation。 That is to say, as a typical calligrapher in Song Dynasty, Huang Tingjian adapts the Buddhism princ iples in mind to his calligraphy theory and creation.lt not only provides the theoretical source for its own disposition, but also cause a profound impact on the formation and development of his art of c alligraphy.