The Rhyme Embodiment Of The Patterns Of Folk Songs In

In this article,we try to discuss chongqing folk songs from the language rhythm.And it is divided into four chapters.The first chapter discusses the rhythm of chongqing folk songs’ phonetic form,mainly from the voice characteristics, stress, rhythm and characteristics. On the tone,rising tone(21), the organization(42) and falling tone(214) are the most distinctive place in chongqing folk songs. On the stress, stress of chongqing folk songs often in front of song words and the end of the section, which is obvious in various work song.More mixed beat in rhythm, folk songs, some three beat, six beat, the rhythm of freedom. Type work song more neat beat, the rhythm is conditioned by the working conditions, rhythm strong, small changes. Compares a standard flat minor, rhythm,less word, easily. The second chapter studies the chongqing rhythm expression of semantic form of folk songs, mainly from the rhetoric Angle to analyze. Paper points out that the main cause of chongqing folk language vivid iconicity are: in the lyrics with plenty of local slang, idioms, xiehouyu; Choose a lot of people happy thing; Use of onomatopoeia words, etc. In addition, the use of various rhetorical devices, is also one of the causes of chongqing folk language vivid. The third chapter studies the rhythm of chongqing pragmatic form of folk songs. The article points out that chongqing folk songs in the form of pragmatic rhythm is mainly manifested in the following three aspects: first, the expression of conflicts contains the sense of rhythm. Second,pragmatic uglification things form contains the sense of rhythm. Three, pragmatics expectation to produce sense of rhythm. The fourth chapter mainly discusses the rhythm of chongqing folk language classification form. Specification and elegant writing,popular and simple dialects, variety of Chen Zi word are all the important parts of chongqing folk language.