On The Form Of Folk Songs And New Poems In Yan'an Period

The folk style new poetry in yan'an period is not only an important achievement of poetry practice in the history of Chinese new poetry,but also an important embodiment of the inheritance and transformation of national resources of Chinese new poetry.Its birth not only responded to the call of The Times,but also adapted to the requirements of poetry,and to meet the needs of the masses.The creation of folk songs and new poems in yan'an period is close to the theme of The Times,the aspirations of the people and the reality of the war.This paper will interpret the folk style new poetry of yan'an period in accordance with the thesis,make a poetic investigation of its achievements,and explore its poetic space,it is expected that more attention will be paid to folk songs and new poems in the future.This paper mainly analyzes and discusses the form of folk songs and new poems in yan'an period from the following aspects:First,Yan'an period folk songs in the form of new poetry.This part will analyze the selected poems by means of close reading of the text,and discuss the external forms of folk songs and new poems in yan'an period from three aspects of language,rhythm and mode,and the internal forms of folk songs and new poems in yan'an period from the physiological synthesis of physical feelings and the spiritual synthesis of physiological feelings.In order to prove that the folk style new poetry of yan'an period not only pays attention to the desirability of folk resources,but also pursues the artistic quality of poetry.Second,the form construction of folk songs and new poems in yan'an period and the subjectivity of poets.This part will take the TALKS AT THE YANAN FORUM ON LITERATURE AND ART in 1942 as the dividing line,and discuss the influence of the changes of subjectivity in the two peasant enlists movements before and after the speech at the yan'an forum on literature and art on the form construction of folk songs and new poems in the yan'an period.Since the former enlisting in the countryside was a visitor-type enlisting,the latter was an experiential enlisting,and the poet more recognized the unity of himself and the masses of workers,peasants and soldiers in the latter enlisting in the countryside,the latter enlisting in the countryside had a greater impact on the construction of folk songs and new poetry forms in yan'an period.Based on this,this chapter will analyze the poetry people's style of new poetry after TALKS AT THE YANAN FORUM ON LITERATURE AND ART.Third,modern theoretical resources for the construction of folk song style and new poetry form in yan'an period.This chapter mainly investigates how the folk song style and the new poetry form in yan'an period were constructed under the advocacy of the theory,which is the necessary analysis and explanation of returning to the poetry itself.This part will discuss in chronological order: first,discuss the ballad advocacy and practice in the 1920 s.Secondly,it discusses the advocacy and practice of Chinese poetry association in 1930 s.Thirdly,it discusses the proposition and practice of "national form" in the 1940 s.Fourth,the significance and defects of the form construction of folk songs and new poems in yan'an period.This part will summarize the significance of the form construction of folk songs and new poems in yan'an period from the literary level,that is,the form construction of folk songs and new poems in yan'an period reflects its coincidence with the propaganda task at that time,its historical status as a link between the past and the future in the history of modern Chinese new poetry,and its own artistry and literariness.At the same time,this chapter also has carried on the brief elaboration to its manifest flaw.Based on the poetics itself,this paper attempts to interpret the folk style new poetry in yan'an period from the above aspects,so as to evaluate its artistic value and aesthetic value scientifically.