A Comparative Study On The Writing Style Of The Late And Late Sonata In

Carl Philip Emma’s el Bach, Carl Philipp Emanuel Bach 1714-1788), baroque transition the neoclassical period is important for German composer.At the same time, he also promoted the Germany and Austrian music development in the region, Germany and Austrian music in the 18 th century European music became the top of the world music.As Johann Sebastian Bach’s son, his respect for his father’s creation concept, and on the basis of its creation.C.P.E. Bach as a musician and music theorist, he is also one of the founders of the"Empfindsamkeit Stil". "Empfindsamkeit Sti" was a new aesthetic point of view, "the emotional style of writing is not like in opera to depict the specific characters of emotion,personality, for the purpose. Its starting point, is that performance, convey the feeling of the creator himself, especially for sudden, changeable emotion portrayed in an objective manner, using this style of composers are to get a kind of profoundly, sensitive and subjective expression, C.P.E. Bach’s most creative belong to this style.C.P.E. Bach is the most important contribution to the evolution of a sonata form. He composed a large number of keyboard works, either in content or in form, for later the classical period of Haydn, Mozart, Beethoven’s creation provides a valuable reference and reference.In this paper, the text is divided into two parts:The first part, mainly introduced the C.P.E. Bach’s life and his era background and family background, and explains the origin and development of emotional style.The second part, mainly on two sets of early to late work has carried on the detailed analysis, and a comparative study on them. Thus summed up the C.P.E. Bach’s style.