On The Polyphonic Thinking Reflected In Stereo - Type Electronic Music

Electro-acoustic music is regarded as a branch of music in twenties century. Either the characteristic of acousmatic or the organization have an obvious difference between traditional music. However, whether there is no relationship between the creation thought of Electro-acoustic music and the thought of traditional music? This article is based on the examples of Electronic music in France from the period of 19th century 50's to the beginning of twenty-one century. From the timbre, the acoustic shape as well as the sound weaves the body to embark, requires into the the thought of polyphony accumulated in acousitc shape electronic music.The article is according to the resistance and the supplementary , two kind of rules in traditional duplicate accent thought , taking the timbre and the acoustic physique characteristic in the sound electronic music as a cue , to elaborate the duplicate accent thought which accumulate in the timbre and acoustic physique . Also take the example of《couleurs du temps》composed by Yann Geslin , to discuss the duplicate accent thought accumulated in the whole music and the influence to the structure of Electro-acoustic music .