Composition Analysis Of Raphaele Biston’s <Parages> In Electronic- Music

Electro-acoustic music was originated in the early stage of the 20th century with the development of science and technology. It possessed an important status in the field of contemporary music. There are many differences between Electro-acoustic music and traditional music in creative aspects, performing form and texture form. Therefore, analysis and theory research about electronic music, tend to be diversified and the characteristics of multiple points of view.This paper is about the Electro-acoustic music of Parages which is composed by Raphaele Biston Based on different sides, it sorted out and summarized the creative techniques in musical elements, features of structure and other aspects. It tried to explore how the Composer going through the combination between the different artistic style and Technique used as a precondition in interactive Electro-acoustic music. Currently, there is a lot of domestic analysis and research literature on the Electro-acoustic music, but it still needs to introduce more new works, comparing with the research achievements about traditional works of acoustic instrument. This thesis aims to summarize the characteristic of composing style and explore the creation concept of Parages. In the meanwhile, to expanse the related information and supply academic reference value for future development of electronic music.