The Music Played In The Interpretation Of The Concept Of Systems Dialectics

There are conflicts between elements of the subjective and the objective, the humanistic and the scientific, the unified and the diversified due to different concepts of music interpretation. And other conflicts lie in the phenomena that the emphasis of objective interpretation means the denial of subjective interpretation, the emphasis of the nature of humanism means the denial of the nature of science, the emphasis of the unified means the denial of the diversified, etc. This thesis employs systematic dialectics to analyze and solve those conflicts. It is proposed that all the elements of the subjective and the objective, the humanistic and the scientific, the unified and the diversified should be put into the entire system of music interpretation because all elements of the system are correlated, and they actually are interactive, interdependent, mutually conditional and opposite but complementary. It is easy to find their identity if the conflicts are analyzed by using the"law of synergy of difference"on the basis of universal relations. It is synergy based on differences, i.e. the realization of their dialectic unityConclusion: The academic orientation of the concepts of modern music interpretation theories should hold dialectic attitude towards the problem of the subjective and objective, that of the humanistic and the scientific, and that of the unified and diversified music interpretation. The problem of"degree"should be well decided to analyze and employ music interpretation theory properly in proper context.